HistoricalSites, Preveza

The imposing castle of Ioannina was built in 528 AD by the Emperor Justinian, and was an ambitious expression of the might of the Byzantine Empire. It is the oldest Byzantine fortress in Greece with significant influence over the history of the town which grew around it. http://www.visitgreece.gr/en/main_cities/ioannina

The ancient city of Aiane was the most important of the kingdom of Elimeia. From the finds here, archaeologists have concluded that it was home to quite an advanced civilisation, on a par with the Mycenaeans. http://www.discovergreece.com/en/mainland/macedonia/kozani

You will absolutely fall in love with the byzantine churches and the beautiful mansions, which are typical examples of Macedonian architecture. http://www.visitgreece.gr/en/main_cities/kastoria

The builders of Ohrid’s ancient theater have estimated very precisely where to put the building - in the center of the elevated old town. The open theater holds a perfect location, as the two hills (Gorni Saraj and Deboj) keep it protected from winds that could interfere with acoustics during performances. The Ancient theatre of Ohrid of the Hellenistic period was built in 200 BC and is the only Hellenistic-type theatre in the country as the other three in Scupi, Stobi and Heraclea Lyncestis are from Roman times. It is unclear how many people the original theatre used to seat, as only the lower section still exists. During Roman times, the theater was also used for gladiator fights. However, since the theater was also a site of executions of Christians by the Romans, it rapidly turned to a highly disliked site by the locals. In fact, as a result of this dislike, the theatre was abandoned and buried by the locals after the demise of the Roman Empire. Discovered accidentally and later excavated completely, this 4, 000 square meter monument to antique Greco-Roman culture is being used today during the annual Ohrid Summer Festival for performances of ancient tragedies and comedies. The Theatre offers a wonderful view of Lake Ohrid and Mt. Galichica to the southeast. http://www.exploringmacedonia.com/ancient-theater.nspx

The Mynicipal Unit of Mystras includes the former communities of Agia Irene, Agios Ioannis, Anavriti, Loggastra, Magoula, Mystras, Paroreio, Soustianoi and Tripi. Nestled in Mount Taygetos and its lowlands, the municipal unit of Mystras offers both relaxation and recreation to visitors all year long. Anavriti also serves as a base for ascents to the summit. Hiking paths and trails include the European E4 trail ascending to the Mountain Refuge, as well as paths to Mystras, Agios Ioannis and Taygeti. From the village of Parori, a 15-minute trek along a path leads to Our Lady Langadiotissa, a marvellous church tucked in a cave, and to the Monastery of Fan¬eromeni. Starting at Mystras, an inviting trail leads to Pikoulianika and Taygeti, as well as Agios loannis of Vouvalon in modern-day Mystras (only 10 minutes from the town square). A visit to the Kaiadas chasm is essential, as is a stroll around the enchanting gardens of the Sainopouleio Amphitheatre, where the construction of a new athletic center is about to break ground. A tour of the springs in Tripi, ie Karvasara, Vasiloneri and the Knakiona springs at the Monastery of Agios Giannakis, is an exceptional experience. The Langada Climbing Park is also worth a visit for the crag climbing adventurer. Other worthwhile sites include the Byzantine bridge of Agios Sostis and the 4 water mills in the village of Agia Irene, the Byzantine churches of the Taxiarches (the Archangels), Our Lady the Virgin and St. Nicholas in Loggastra and finally, in Soustianoi, the Gorge of the Fairy, the Koumoundouros caves and the magnificent church of St. Nicholas. https://www.exploresparta.gr/tourism/en/mystras-sparti/

Findings at this archaeological site were unearthed by the pioneer excavations of the British School of Archaeology starting in 1910. Excavations resumed in the early 1990s, primarily in the areas of the ancient theatre and the merchant stalls. The most significant monuments of this archaeological site include: The Temple of Athena Chalkioikos whose position has been defined by few surviving relics found at the northwest end of the Acropolis. The temple, designed by the architect Vathyklis from Magnesia, had an interior design adorned with copper sheets (dated 6th century BC onwards) to which it owes its name (chalkioikos = copper). From the inscription by Damononos (dated before 430 BC), it seems it was called Temple of Athena Poliouchos (Guardian of the City). Pausanias adds that the temple was left unfinished until Gitiada, a local craftsman, built both the statue of the goddess and completed the temple. The temple also served as a place of refuge for Lycurgus, Pausanias and Agis IV. The ancient theater of Sparta on the south side of the Acropolis is a product of the early Imperial Period. The orchestra, the retaining wall with engraved inscriptions of the rulers of Sparta in Roman times and the concave portion of the large theatre has been preserved. The concave of the theatre was dug into the southwest end of the Acropolis. The retaining wall of the concave is marble and its east side was engraved in the 2nd century AD with various inscriptions. The theatre was used primarily for public gatherings and celebrations. It had no permanent stage. For theatre performances, a wooden, mobile stage equipped with wheels was easily moved into position. Nearly all the findings of the ancient theatre that were discovered by the British School of Archaeology date back to the Roman Era. https://www.exploresparta.gr/tourism/en/the-acropolis-of-sparta/

The Sanctuary of Artemis Orthia was built near the banks of the Evrotas River, near the ancient town of Limnon. It was one of the most significant sanctuaries of the Spartan cult and was associated with the education of young Spartans. Early on, the deity worshipped was referred to as Orthias who was considered the goddess of salvation and fertility, as well as the protector of vegetation. Later on, the cult was linked to that of Artemis and the temple became a center of religious education for young people. During the Imperial Period, it served as the site of bloody spectacles performed in accordance to the customs of the time. The temple was excavated by the British Archaeological School of Athens (1906-1910). We can now distinguish three sections: (1) a great Roman structure (during the Imperial Period, the shrine of Orthias had taken the form of a circular amphitheatre where the temple held the position of the stage), (2) the remains of an altar in the center of the site and (3) a section of the temple to the west. The temple was built with rough stones in the 6th century BC. The presence of the impressive amphitheatre indicates that people gathered there to observe rituals performed in honour of Artemis Orthia. From the numerous inscriptions found at the temple, it seems that the goddess was associated with the education of Spartan children under the age of 13. Below this temple, a smaller, older temple has been discovered which probably dates back to the 9th century BC. https://www.exploresparta.gr/tourism/en/the-sanctuary-of-artemis-orthia/

Excavations carried out during the previous century, north of the modern town of Sparta, brought to light an impressive construction. The edifice that dates back to the 5th century B.C. was made from large limestone. Waldstein, who carried out the excavations in 1892, initially thought it was a small temple. Although its use is not yet verified, it is believed to be the tomb of Leonidas. According to Pausanias, it was here that the remains of the legendary king of Sparta were transferred and buried after the battle in Thermopylae. The tomb of Leonidas is the only preserved monument of the Ancient Agora. The tomb of Leonidas, north to the modern town of Sparta, is an emblem and an important monument, as it is the only monument preserved from the Ancient Agora. Also known and as Leonidaion, excavations of the construction were carried out by Waldstein in 1892. The impressive edifice (12.5 × 8.30 m) has the form of a temple probably dating back to the late 5th century B.C.. It was made of massive limestone and its interior was divided in two connected chambers. The eastern chamber was 3.15 meters long, had the form of a vestibule and was ornate with columns. Until today, it is not known what the edifice was used for. It is believed to be a cenotaph, while many researchers share the opinion that it is the temple of Karneio Apollo. Although there is no indication on the correlation between the temple and the legendary king of Sparta, according to local tradition and the travel writer Pausanias, the remains of Leonidas were transferred and buried there. It is because of this, that the locals believe it to be the tomb of Leonidas. According to Pausanias the tomb was situated to the west of the Agora, opposite to the theater, and hosted games once a year. https://www.exploresparta.gr/tourism/en/tombofleonidas/

One of the historical Site in the city if Thessaloniki which form the center of city and has ancient Value attach to it. http://www.visitgreece.gr/en/main_cities/thessaloniki

Piazza Sant'Oronzo narrates the city's entire history. The Roman period is visible in the ruins of the Amphitheatre that becomes the exceptional stage for theatrical performances in summertime, and in part by the high Column - on which stands a bronze of St. Orontius, depicted in the act of blessing - erected in the 17th Century utilizing some of the Roman columns positioned on the Ancient Appian Way. http://www.italia.it/en/discover-italy/apulia/lecce.html

A visit to Lecce can begin with Piazza Duomo, once used as a fortress and today considered the most elegant "salon" in the city. T http://www.italia.it/en/discover-italy/apulia/lecce.html

It is absolutely an important tourist attraction. As a symbol of a notorious communism, it resisted some attempts to be destroyed by previous governments. But it is still there, unrestored, a symbol of the mixed and contradictory history of Tirana. It was inaugurated on October 14, 1988, as the mausoleum of the dictator, Enver Hoxha. The pyramid form was designed by a group of architects led by the daughter and son-in-law of the dictator. Construction began in 1986 and ended in 1988. It did indeed serve as a mausoleum for Hoxha, until 1991, after which it became a conference and fair centre. http://www.visit-tirana.com/things-to-do/attractions/21/the-pyramid

One of the legendary sites that sits beneath the slopes of the Acropolis on the southwest side, is the stunning open-air theatre, Odeon of Herodes Atticus. In ancient times, Odeons were built for musical contests and this ancient stone theatre has gone on to host some of the world’s best musical performances during the last 60 years since its modern day re-opening, including Nana Mouskouri, Luciano Pavarotti and Frank Sinatra to name a few. Widely known by locals as simply “Herodeon”, it was built between 160AD – 174AD by the wealthy benefactor of Athens, Herodes Atticus as an ode to his late wife Rigilla. It was the third Odeon to be built in Athens and was distinctively Roman in contrast to the nearby Theatre of Dionysos. With its Roman arches and three story stage building, it was originally partly covered with a wood and tiled roof. The circular orchestra has now become a semi-circle, paved with black and white marble. With 35 rows, the marble auditorium extends slightly beyond a semi-circle with a diameter of 80 metres and today seats 4680 people. https://whyathens.com/odeon-of-herodes-atticus/

The Sacred Rock of the Acropolis "the province of the Gods", unoccupied by humans, is a perfect 5th century BC collection of public monuments which stands as a unique Greek testimony. http://www.thisisathens.org/explore/venues-attractions/12-attractions/sacred-rock-of-the-acropolis/

The “core” of the historic centre is the Plaka neighborhood (at the eastern side of the Acropolis), which has been inhabited without interruption since antiquity. When you walk through the narrow labyrinthine streets lined with houses and mansions from the time of the Turkish occupation and the Neoclassical period (19th c.), you will have the impression of travelling with a “time machine” http://www.visitgreece.gr/en/main_cities/tour_in_the_historic_center_of_athens

Syntagma Square is the most famous in Athens if not all of Greece. No matter where you have to go in Athens, if you can find Syntagma Square you can find your way there. Syntagma Square is back and better than ever. Well maybe not better than ever. It was probably at it's best in the early 1900's when there were not cars and buses whizzing around it and it was shaded by large trees. But with the re-routing of the traffic, the opening of the new metro and the removal of the wooden billboard covered walls that for at least an entire year, hid the construction site that was once Athens most popular platia, Syntagma looks better than it has in many years. At the top of the square are two stairways and an elevator leading to the Syntagma Metro Station, one of the most beautiful metro stations in the world, with its own museum of artifacts found at the construction site. https://www.athensguide.com/syntagma.html

In the heart of modern Athens, its streets pulsating with traffic, stands an enormous open space bordered by trees and shrubs – the Olympieion – a tranquil archaeological park where earth and sky seem to meet, linked by massive marble columns stretching upward, marking the temple of Olympian Zeus. Once inside the entrance of this age-old sanctuary, visitors are treated to a taste of nature, an extraordinary ancient ruin on a super-human scale and one of the area’s most inspiring views of the temple-topped Acropolis. Like the Acropolis, the temple of Olympian Zeus has been a distinctive Athenian landmark since time immemorial. Begun about 520 BC by the tyrant Peisistratus and his sons, it was left unfinished at the end of their rule until the 2nd century BC, when further construction was briefly undertaken (174 – 164 BC) by one of Athens’ Hellenistic benefactors, the Seleucid king Antiochus IV Epiphanes. Abandoned once again following Antiochus’ death, it was ultimately finished by the Roman emperor Hadrian and dedicated in AD 132. Hadrian, an ardent Hellenophile much respected by the people of the Greek East, gave Athens not only the completed Olympieion, but also other temples in the area; a new public forum on the north side of the Acropolis that contained a library and lecture halls; and an urban water system fed by an aqueduct from Mount Penteli that continued to supply the city until the 1930s. https://whyathens.com/temple-of-olympian-zeus/

Panathenaic Stadium, also known as "The Callimarmaron", a classical Greek monument, a venue designed and used for noble competition and fair play of mind and body, lies between the neighborhoods of Mets and Pangrati. Originally a natural hollow part of the ground between the hills of Agra and Ardettos, over Ilissos River, the place has been turned into a stadium by orator Lykourgos, during the 4th century, for the competitions of the Great Panathinaea festivities, games with nude athletes. The Panathinaea games honored, once more, the protector of the city, goddess Athena. http://www.thisisathens.org/explore/venues-attractions/12-attractions/panathenaic-stadium/

The Kovadareios library is not just a collection of dusty pages, it is a compilation of the history, symbols and values of a brand new and simultaneously ancient nation. Among the valuable codices and rare volumes, you’ll see one of the two surviving copies of the ‘Carta’ (Charter) of Rigas Feraios, one of the founding fathers of modern Greece. http://www.discovergreece.com/en/mainland/macedonia/kozani

Symbol of the city’s millenary history, the Doric column erected on the Capocolonna promontory (at about 13 km from the centre of Crotone) carries an echo of the splendour of the Magna Grecia period. It is the only remaining column of the temple dedicated to the goddess Hera. Dating back to the 6th century B.C., it was one of the most important religious locations in Magna Gr�cia, upon which today stands Capocolonna Archaeological Park. The Park is made of roughly 30,000 square meters of terrain allocated for excavations which brought to light the foundations of different buildings and domestic locations, along with 20 hectares of Mediterranean woods in which are present pleasant natural trails that lead from the museum to the column. http://www.portofcrotone.com/index.php?id=72

This temple was constructed on a mostly artificial spur. It dates to c. 450 BC, measuring 38.15 x 16.90 m: it is in Doric style, peripteros with 6 x 13 columns, preceded by a pronaos and opisthodomos. The basement has four steps. Current remains (including anastylosis from the 18th century onwards) the front columnade with parts of the architrave and of the frieze (only fragments of the other three sides are present), with few elements of the cella. The building was damaged in the fire of 406 BC and restored in Roman times, with the substitution of the roof tiles with marble ones and the addition of a steep rise in the are where today can be seen the remains of the altar. Nearby are arcosolia and other sepultures from Byzantine times, belonging to the late 6th century AD renovation of the Temple of Concordia into a Christian church. http://www.guidaturisticaagrigento.it/hera_en.php

The Old Town Centre of Crotone is easily identified because it is situated on a hill, close to the sea, enclosed until the end of 800, from the sixteenth century city wall with a very ancient history. According to archaeologists, the acropolis of the ancient Kroton stood here. It is said to house, among other buildings, the Temple of the Muses, home of the Pythagorean school, known throughout the Mediterranean. It is a very layered urban fabric, which for the continuous destruction, reconstruction, alterations, increases in volume that are superimposed over the course of three centuries, which have no name of the type Byzantine, Medieval,Renaissance, Baroque. The city was subjected to several foreign domination over the centuries whose influence is reflected in the heterogeneous style of its old town center. The types are mostly composite, with many terraced houses, narrow winding streets, wherein the worship buildings and noble palaces are concentrated in little squares. Political power and religious power are added together in these contexts of social life, where shops of merchants and artisans overlook the, but on which lies primarily the importance of the church, the convent of the palace. While Castle Square preserves the centuries the peculiarity of Square of arms, Dome Square, the political center of the city is the seat of Royal House, the Bishop's Palace, and of course the Cathedral church. At Suriano Square Suriano (now Umberto I Square), destined for popular assemblies, dominate the convent of St. Francis of Assisi, now the Seminary, with the annexed church and mansions of Suriano (now Albani Palace),and the Marquis Berlingeri. http://www.comune.crotone.it/flex/cm/pages/ServeBLOB.php/L/IT/IDPagina/4732

The castle acropolis Commonly called the Castle of Charles V by the imperial coat of arms that was located there, it was created as a rudimental fortress on the ancient Greek Acropolis, to defend the country from foreign invasion. http://www.federicoitineraridellostupore.it/index.php/en/calabria/crotone/the-castle-of-carlo-v

Built in the same time as Parthenon, the Doric Temple of Poseidon is situated on the edge of the magnificent Cape Sounio, 70km south from Athens. 16 remaining slender columns of Doric order reveal that Greeks, indeed, knew where to "place" their temples. On the coast of Attica, Cape Sounio is a jewel overlooking the Aegean Sea. Once upon a time, the Temple of Poseidon used to serve as a sacrifice point, since the sailors tried to appease God of the Sea, Poseidon, before entering the Aegean Sea. The distinctive cape crowned with the imposing Temple of Poseidon offers impressive views of the Saronic Gulf and the Aegean Sea with the Greek islands. http://www.thisisathens.org/explore/venues-attractions/12-attractions/temple-of-poseidon/

The Skopje Fortress commonly referred to as Kale Fortress, or simply Kale (from kale, the Turkish word for 'fortress'), is a historic fortress located in Skopje, the capital of the Republic of Macedonia. It is situated on the highest point in the city overlooking the Vardar River. The fortress is depicted on the coat of arms of Skopje, which in turn is incorporated in the city's flag. The first fortress, according to research and available data, is believed to have been built amidst the 6th century A.D., on land that had been inhabited during the Neolithic and Bronze ages or roughly 4000 B.C. It was constructed with yellow limestone and travertine and along with fragments of Latin inscriptions, asserts the idea that the fortress originated from the Roman city of Skupi, which was completely destroyed by an earthquake in 518. The fortress is thought to have been reconstructed during the rule of emperor Justinian I and constructed further during the 10th and 11th centuries over the remains of emperor Justinian's Byzantine fortress which may have been destroyed due to a number of wars and battles in the region, such as that of the uprising of the Bulgarian Empire against the Byzantine Empire under the rule of Peter Delyan. Not much is known about the Medieval fortress apart from a few documents which outline minor characteristics in the fortress' appearance. http://www.exploringmacedonia.com/fortress-kale.nspx

Imaret is an impressive building erected by Mehmet Ali (1769-1849) as a donation to its native town. Ali was born in Kavala and later became Ruler of Egypt. It is situated on the western side of the Old City, in Panayia, occupying an area of 3500 m2. http://www.kavalagreece.gr/en/?page_id=1181

The Old Aqueduct, the Medieval Aqueduct, is work of the Byzantine period, which held extensive repairs during the Ottoman rule, particularly during the reign of Suleiman the Magnificent and Legislator (1530 AD approx.) This double arch structure was designed to bridge the peninsula of Panagia with the foot of the mountain of Lekani. https://discoverkavala.com/listings/aqueduct-kamares/

The Holy Trinity Church and especially its tall belfry have become a symbol of Bansko as one of the most attractive mountain resorts, successfully combining the charm of its rich historical past and its picturesque location at the foot of the mighty Pirin Mountain with the most modern facilities for recreation – a wide choice of reputable hotels for all tastes and budgets, one of the best ski zone in South-East Europe. The Church dedicated to the Holy Trinity was built in the period of the Bulgarian National Revival. Its inauguration was made in 1835. The architectural plan of the church is a three-nave basilica or more exactly a pseudo-basilica with 44 m length, 22 m width and 12 m height. The walls are 1.1 m thick and entirely constructed of local ashlar, welded together by mortar. Large wooden beams of centuries old white fir (typical for the region) are used in the foundation and for leveling the walls. Part of the church is sunken under the ground level in order to look smaller from the outside and Turks can not get an idea about its real size. The altar piece is set within a skillfully constructed and decorated apse in the form of the half of a 18-angle prism with a remarkable stone cornice on the exterior. The roof is hold in the interior of the church by 12 massive wooden columns of white fir, symbolizing the 12 apostles. http://bansko-guide.com/attraction/holy-trinity-church/

The Theater of Milos is one of the most important archaeological findings of the island of Milos. It is located in the area of Tripiti and its construction dates back to the Hellenistic Age (3rd century BC). As archaeological investigations are completed, its Roman phase apparent phase of the Roman theatre. The excavations have unearthed 7 rows of marble seats as well as the stage. Today it holds around 700 spectators, while in antiquity it is estimated that it was 7.000. It is worth visiting the ancient theatre of Milos or any of the representations or breakfast before your bath. https://www.milos-tours.gr/en/what-to-see-do/archaeological-sites/arxaio-theatro.php

Klima is one of the striking fishing villages on the Greek island of Milos, with its little white houses built along the water. In the middle of the 19th century, these houses were owned by fishermen who used them as second homes and as boathouses. The fishermen usually lived in Plaka and left their boats here along the water. On the lower floor was storage for the boat, while on the top floor was living space and a place for the fisherman to sleep. During the 20th century, however, the function of the fishermen's cottages changed and became the second homes for the families of the fishermen. Today, these houses are rented to vacationers. Klima is accessible through Plaka and Trypiti. Unfortunately, parking can be difficult to find. You may have to park your car along the road, a hundred meters from the village, and walk by foot to the village. There are no beach bars or taverns. The only public place is the Hotel Panorama, which is slightly higher and a small distance away. https://www.justgreece.com/destinations/klima-milos.php

The Catacombs of Milos, in Milos Island, dating from the 1st - 5th century, are among the three most important of the 74 discovered worldwide, together with the catacombs of Rome and the Holy Land. It is possible that the Catacombs of Milos are older than the ones of Rome. Perhaps only a small part of a sizable necropolis at the foothills of the village of Trypiti, the Catacombs of Milos were used by the early christians first as a burial site and later also as a place of worship and a refuge after persecution by the Romans became widespread. The Catacombs of Milos are considered to be the most important early Christian monument of worship in all of Greece. Still visible to the visitors of the Catacombs of Milos are inscriptions on the walls including the Monogram of Christ and the ecumenical Christian symbol "ΙΧΘΥΣ", hollows used for lamps and votive gifts to the departed, and a couple of graves of infants. http://www.catacombs.gr/

Strolling along the seaside promenade Goffredo di Crollalanza, you’ll come across one of the most beautiful late-Liberty buildings ever made in Bari, overlooking the gardens of Adua square and the sea. https://www.viaggiareinpuglia.it/at/5/luogocultura/663/en/Teatro-Kursaal-Santa-Lucia-Bari-(Bari)

Next to the main road towards Pollonia and just before you get there you will find one of the most important archaeological sites in Greece, the ancient settlement of Phylakopi. This settlement was destroyed and rebuilt at least three times. It flourished thanks to the processing and trade in obsidian, a hard black volcanic rock that manufactured knives, arrows and tools. The excavations yielded traces of inhabitation from around 3.000 BC (early Bronze Age) to 1.250 BC (late Bronze Age). After 1.200 BC things in the Aegean sea were constantly changing; New trade routes opened as the Minoan and Mycenaean civilization slowly begun to decline. Phylakopi was severely affected by this. This is how the decline started and the once commercial centre of Milos was moved to the ancient city of Klima. Visitors have the opportunity to see a great part of the cyclopean wall of the settlement which is preserved, as well as the Temple and the Palace (of Mycenaean style). During your visit to the Archaeological Museum, you can see samples of pottery from the city of Phylakopi such as stone, clay and bronze figurines, a linear A tablet, various useful items as well as the famous "Lady of Phylakopi", a ceramic female figurine. http://www.milos-tours.gr/en/what-to-see-do/archaeological-sites/proistoriki-poli-filakopis.php