active-pinPinned places
active-placeAdd a New Place
active-pinPinned places
active-placeAdd a New Place

Churches in Venice

Countries:

Italy
unpinned
Saint Mark's Square
Saint Mark’s Square is surely a place that can’t be missed, an exhibition of rare and unique beauty appear on a 360° view in front of the visitors, the Saint Mark’s Church, the bell tower, the “procuratie” and the Napoleonic wing, the clock tower and the two blacks. The Church, a Romanic Byzantine style was born initially as a mausoleum of the Patron Saint, it has 5 domes, marbles and mosaics to embellish the façade, inside, decorations and wall of golden leaf mosaics represents tales of the Patron Saint. The bell tower is the highest point of the city, 98.6 meters tall, from the top there is a unique and breathtaking view of the isle, it was originally built as a watchtower and a lighthouse in the IX century. Finally the clock tower, also a renaissance style palace, its arcade allow to enter into the square from the “Mercerie” so called because during the Republic there where many shops selling precious merchandise coming from distant ports. Today the Mercerie are site for various commercial activities, mostly murano glass shops and most modern cloth and gift shops.
unpinned
St. Mark s Basilica
If you are in Venice you cannot miss the opportunity to visit St Mark’s Church, the famous San Marco Basilica. It is one of the most valuable treasures of history, art and faith in the world, located in St Mark's Square, the so-called ‘drawing room of Europe’. When you visit St Mark’s Cathedral you cannot avoid gazing at the vast amount of decorations, mosaics, architectonic structures, precious objects and sacred and allegorical images that adorn the church inside and outside. To face all this in the best way before delving into the details, it is important to let oneself be swept away by this abundance, which changes time after time depending on the lighting, one’s stance and many other details that all together turn San Marco Basilica into a constantly new and deep experience to live in Italy. A visit of St Mark’s Basilica means entering into an intricate world imbued with religion, art and sacred images that narrate in detail the history of Venice: the beauty of this place is nonetheless blindingly evident and one does not need to decipher it in order to appreciate it.
Explore more places related to this search:
unpinned
The Praglia Abbey
As the abbey of Santa Giustina, to which was added in the fifteenth century, the Praglia Abbey has enjoyed various events. Founded in the eleventh century, it was built in fief by Emperor Frederick II in the thirteenth century. Subsequently independent, then in, and finally added to Santa Giustina until 1810 when Napoleon suppressed.
unpinned
The Cathedral of Vicenza
The construction of the apse in the Cathedral of Vicenza had begun in 1482 to the design of Lorenzo da Bologna, but in 1531 it was still unfinished. Early, temporary, roofing was erected in 1540, as a result of the possibility that Vicenza might host the Church Council which in the end was held at Trent.
unpinned
Basilica of San Zeno
A Romanesque basilica rebuilt after the earthquake in 1117 round a nucleus dating from the 4th or 5th century.Note on the outside the façade with the large rose window called the “Wheel of Fortune”, the marble bas-reliefs on either side of the porch, the famous bronze doors, the bell-tower and the Abbey Tower
unpinned
Church of St. Euphemia
A small church of St. George used to be situated where the Church of St. Euphemia is located today. When St. Euphemia's sarcophagus was brought to Rovinj, the Church of St. George became too small for all the pilgrims. In the 10th century, the people of Rovinj started building a new, bigger church. It was a three-nave church with three projected apses and wooden statues of St. George and St. Euphemia. At the beginning of the 17th century, a new gold-plated stone statue was erected which until this day remains on the altar of the Saint. The church itself required with time more and more reparations, and the town population grew so that the people of Rovinj decided to build an even bigger church. The building process started in 1725 and lasted until 1736. Three main altars were built in 1741, and the organ was installed in 1754. The façade was designed and built in the second half of the 19th century. Many altars and paintings enrich and embellish the church from within.
unpinned
Franciscan Monastery Rovinj
Rovinj represented an exception among the cities on the west coast by the lack of a Franciscan monastery during the first period of the existence of the order. Only at the end of the fifteenth century, the Diocese of San Geronimo decided to build one on the island of St. Andrew (Red Island) near Rovinj, upon the site of the Benedictine hospice and the church from the sixth century. According to tradition, the monastery was founded by St. John of Capistrano, a famous missionary engaged in the fight against the Turks. His body is kept in the Franciscan monastery of Ilok, in eastern Croatia. In 1807, after nearly four centuries after its foundation, the monastery of Saint Andrew was closed by Napoleonic authorities. In the early eighteenth century, the St. Anthony's Franciscan reformers built a new monastery in the north, in the continental part of the city, which was not yet connected to the mainland. In 1696 the City Council invited the Franciscans to come to Rovinj to erect a new hospice. The approval of the Doge Alvise Mocenigo arrived in 1700 and two years later, in 1702 the construction of the church and hospice began. On that occasion, for the first time explosive was used in Rovinj to derive rock tanks for rainwater.
unpinned
Church of St.Thomas Rovinj
St. Thomas church is situated 4 kilometres north of Rovinj, next to the old railway line that led from Rovinj to a small place Kanfanar. This edifice has a cross ground plan lately completed by a church tower placed on its north side. There is a six metres high apse, semicircular on the inside part and polygonal on the outside part. Lateral windows are enriched by semi-circular apses as well, although being constructed of smaller size. These apses are connected with the central nave by a high semi-circular passage. In the north part of the church, the original paving was discovered along with the preserved stand of shrine partition with several niches for pilasters. Above the central part, the remains of arches that upheld the retracted construction high above the roofing are still visible. A radical constructional intervention was undertaken on the church in the 16th century, changing completely its original form. Since the lateral arches were walled in the whole edifice got one nave. The west part of the edifice was significantly shortened and altered by a new forepart with two square windows.
unpinned
Cattedrale Matropolitana di San Pietro
Cattedrale Matropolitana di San Pietro is the cathedral of Bologna, entitled “Metropolitana” in 1582 by Pope Gregorio XIII, who also turned the diocese of Bologna into an archdiocese. In the past, there was a baptistery in front of the façade and the origins of the building may be traced back to the beginning of the Christian era (even though it is said that the church already existed during the 10th century).
unpinned
Chapel of St. Maria Formosa
It is one of the two chapels built in the 6th century as part of a large Benedictine abbey demolished in the 16th century. The floor and walls were decorated with mosaics, some of which are now in the Archaeological Museum of Istria. It was built in the style of Ravenna churches, the only difference being the use of stone instead of brick. Due to its dimensions, method of construction and good state of preservation, the Chapel represents an extraordinary architectural masterpiece of its time.
unpinned
Tempio Malatestiano
The Tempio Malatestiano, or the church of San Francesco as it was correctly known up until the nineteenth century, is perhaps the most important monument in Rimini, and certainly one of the best preserved.
unpinned
Church of Our Lady of the Annunciation
This interesting neo-Romanesque building with three naves and a noticeable green dome dates from 1906. Its construction, to the designs of the architect Karl Seidl, was begun by the Austrians and continued by the Italians.
unpinned
St. Vitus Cathedral
St. Vitus’ Cathedral is the only Baroque rotunda of monumental proportions built on Croatian soil. The construction of this church, designed by the Jesuit architect G. Briano, began in 1638. It was made on the model of the famous Venetian church of Santa Maria della Salute.
unpinned
Shrine of Our Lady of Trsat
The Shrine of Our Lady of Trsat is the largest pilgrimage centre of Western Croatia. Its foundation is reported to be, according to tradition, related to the miraculous transport of the Nazareth Barn, and its stay on Trsat (1291 – 1294). Shortly after the relocation of the Mother of God’s house to Loreto, Prince Nikola I of Krk built the first small church on the place where the barn stood on Trsat. Marija`s Trsat became a pilgrimage point of convergence, the reputation of which was strengthened by the astounding painting of the Lady of Trsat, which was a gift given to the inconsolable Croats in 1367 by Pope Urban V for the loss of the Holy Barn. In the XV century, the Sanctuary was taken over by Franciscans, who have remained its guardians to the present day. On 8 June 2003, Pope John Paul II attended a long pilgrimage procession.
unpinned
The Medici Chapels
The Medici Chapels form part of the monumental complex of San Lorenzo. The church of San Lorenzo was the official church of the Medici from their period as private residents in their palace in Via Larga (now via Cavour), becoming their mausoleum up to the time of the extinction of the line.
unpinned
Florence Cathedral
Florence's cathedral stands tall over the city with its magnificent Renaissance dome designed by Filippo Brunelleschi, with the baptistery right across. The cathedral named in honor of Santa Maria del Fiore is a vast Gothic structure built on the site of the 7th century church of Santa Reparata, the remains of which can be seen in the crypt. The exterior is covered in a decorative mix of pink, white and green marble. The interior, by contrast, is pretty stark and plain but quite enjoyable on warm summer days since the temperature inside tends to be cooler. Please note the clock above the entrance on the inside of the church. It was designed in 1443 by Paolo Uccello in accordance with the ora italica, where the 24th hour of the day ended at sunset... and it still works!
unpinned
Klagenfurt Cathedral & Cathedral Square
Commissioned by the territorial estates as a Protestant church in 1578, it was designed by architect Christoph Windisch. Klagenfurt Cathedral is the oldest pilaster church in Austria. The 23 paintings on the walls and ceilings were painted over several times in the course of the years. The Catholic Reformation Commission closed the cathedral in the year 1600. Four years later it was handed over to the Jesuits who managed the Jesuit school next door until the order was closed in 1773. A fire destroyed major parts of the church in the year 1723. Reconstruction did not begin until 1725. The Carinthian Baroque painter Josef Ferdinand Fromiller created the John of Nepomuk apotheosis. The church was raised to Cathedral status in 1787. The Cathedral was renovated in the 1890s and shines today in the lustrous Baroque colourfulness of the 18th century.
unpinned
Church of the Sant Annunziata
Not to be missed is a place which preserve the memory of the ancient State of the Pallavicini and precious architectures of the 15th century,Church of the Sant’Annunziata.
unpinned
Court Church
The Court Church is also known by locals as “Schwarzmander Church” thanks to the 28 life-size bronze figures that stand guard, watching over the tomb of Emperor Maximilian I. Strange but true: eight of the “Black Men” (Schwarzmander) are actually women and the Emperor’s tomb is empty. But this beautifully crafted masterpiece is still a work of art and wonderful to behold. The Emperor’s tomb takes pride of place in the church. However, the building is also home to legendary local heroes, such as freedom fighter Andreas Hofer. In 1809, Andreas Hofer led thousands of brave Tyroleans against the superior force of Napoleonic troops on Bergisel. He was executed for this in Mantua but is still revered as a hero in Innsbruck. The Court Church is also the final resting place of his fellow soldiers Josef Speckbacher, Joachim Haspinger and Kajetan Sweth. The Silver Chapel is a highlight that shouldn’t be missed on a visit to the Court Church. Two additional famous people from Innsbruck are buried here: Archduke Ferdinand II and his wife Philippine Welser. She was a local superstar during her lifetime: the “Queen of Hearts”, a herbal expert and a bathing beauty who was even accused of witchcraft by malicious tongues. A magnificent silver alter and Madonna by imperial architect Giovanni Lucchese is the main feature of the room alongside another special piece: an organ with pipes made exclusively of wood.
unpinned
Allsaints Parish Church
It is presumed that a small chapel existed here as early as in the year 800. The All Saints church was first mentioned in historical documents in 1375.
unpinned
Santegidio in Fontanella Abbey
Visiting this enchanting abbey, established one thousand years ago, you will experience the very same atmosphere of knights, crusades and religious mysteries. Surrounded by the lush forests of the mount Canto, this church kept its charming and austere Romanesque architecture, decorated by the fragments of ancient frescoes, which used to cover its walls
unpinned
The Certosa di Calci
As you exit the main highway at Cascina on the east to west road called the FI-PI-LI and start to drive towards the Apuane Alps, you slowly shake off the busy industrial sensations and start to ease yourself into the quiet and tranquility that first drew the Carthusian monks to this area.
unpinned
Pisa Cathedral
Pisa Cathedral is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli. Founded in 1064 and consecrated with great pomp on September 26th 1118, the Cathedral was built in two stages, one by architect Buscheto, who created the original layout with the basilican body with four aisles and one nave, a transept with one nave and two aisles, and the dome on the cross vault, and one by Rainaldo, who extended the building and the façade. The outer facing of the Cathedral is decorated in alternating black and white shades in stripes of Arab influence and a massive use of reused materials from Roman monuments that emphasised the greatness of the city of Pisa, “altera Roma”. Inside, the nave is edged by two rows of monolithic columns made of granite from the Isle of Elba, flanked by four aisles separated by smaller colonnades with large womenís galleries on top, covered by cross vaults and looking out onto the nave through some double-lancet and four-lancet windows. The nave is covered by a wooden coffered ceiling that in the XVII century replaced the original exposed trusses.
unpinned
Milan Cathedral
The construction of the Duomo di Milano initiated in 1386 on the site of the ancient basilicas of Santa Tecla and Santa Maria Maggiore, which were then demolished at a later date. Dedicated to Maria Nascente, the cathedral was commissioned by Gian Galeazzo Visconti and had a dual purpose: the plan was to replace the sites of worship in the heart of Milan with an imposing edifice and it was also intended to celebrate the Visconti Signoria and its ambitious expansion policy. It is the largest and most complex Gothic building in Italy, made of pink-veined white marble from the Candoglia quarries, in the Val d'Ossola. It is 157 metres in length and covers an area of 11,700 m2. The highest spire measures 108.5 and, in October 1774, the golden 4,16 metre-high statue of the Madonna by the sculptor Giuseppe Perego was placed on its pinnacle. The construction works were prolonged over five centuries and, during this extensive period, local and European architects, sculptors, artists and workers all proceeded in turn to work in the Fabbrica del Duomo. The result of all their labour is a unique style of architecture, a fusion of European Gothic style and Lombard tradition.
unpinned
Baptistery
The Baptistery of San Giovanni was founded on 15 August 1152. It is here that the Sacrament of Baptism is administered and the Christian embarks upon the path of Faith. The reason that such a fascinating and enigmatic building was constructed was certainly the wish to endow the cathedral with a worthy adjunct: a Baptistery that, in terms of position, size, materials and style, would be in harmony with the majestic building that already stood opposite.
unpinned
Knights Square
The Knights’ Square or Piazza dei Cavalieri, lined with splendidly decorated buildings, has for centuries been the political heart of Pisa and is the second most important square after The Square of Miracles. A visit to the Renaissance church of Santo Stefano dei Cavalieri will give you a real insight in the colourful maritime history of the city. The Knights’ Square – what can you see there? - Palazzo dei Cavalieri was also known as “della Carovana” (Palace of the Convoy). This name derives from the three-year training period undertaken by the initiates of the Order, called “la Carovana”. Vasari embellished it with exquisite sgrafitti, that represent allegorical figures and signs of the zodiac, and the busts of the Grandukes of Tuscany. In front of it stands the huge statue of a victorious Cosimo I proudly ‘squashing’ the head of a dolphin, as a symbol of his naval victories. Today the palace hosts the Normale di Pisa University. The Church of the Knights of the Holy and Military Order of St. Stephen was also designed by Vasari (1565–1569). It contains Ottoman and Saracen naval banners captured by the Knights of St. Stephen. The ceiling shows off paintings with historical episodes involving the order, like the “Return of the Fleet” from the Battle of Lepanto.
unpinned
Santa Maria della Spina
The exuberant Santa Maria della Spina Church in Pisa, Italy, is a beautiful work of Gothic fantasy rendered in miniature, that sits on the banks of the Lungarno Gambacorti. The eye-catching Santa Maria della Spina was originally a simple oratory for seamen, who would come here to pray for a safe return. The church was originally closer to the river bank. The church needed to reflect the value of the relic that it contained, so the best artists of the time went to work on it. These included Lupo di Francesco, Andrea Pisano with his sons Nino and Tommaso, and Giovanni di Balduccio. The “Madonna and the child with two angels” in the tabernacle on the façade is attributed to Giovanni Pisano, an important master who also worked at the Cathedral. The sumptuous decorations on the right side and in the tabernacles were made in the workshops of the Giovanni Pisano school. In contrast with the outside, the interior is quite ostentatious. It’s essentially one open space, at one end of which stands the “Madonna of the Rose” by Andrea and Nino Pisano, one of the most notable achievements of Gothic sculpture.
unpinned
The Duomo in Siena
The Duomo in Siena lies in a piazza above the Piazza del Campo, a great Gothic building filled with treasures by Pisano, Donatello and Michelangelo as well as frescoes by Pinturicchio.
unpinned
The Comos Cathedral
Como, the Duomo (Cathedral) seen from the eastern side of the piazza, where in only a single block, the Duomo, the Broletto and the city tower are located. Como's Duomo is the last of the Gothic cathedrals built in Lombardy: it was begun in 1396, ten years after the foundation of Milan 's Duomo.
unpinned
Cathedral of San Lorenzo
Built in the XV Century as a replacement for the earlier Romanesque cathedral, is situated in an area considered sacred since the archaic age, as testified in the several layers recently came to light.
unpinned
Church of St.Donat
Church of St.Donat is round pre-Romanesque church which was called the Church of the Holy Trinity until the 15th c., and from that time on carries the name of Saint Donat, by the bishop who had it built.
unpinned
Badia di Ganna
The San Gemolo Abbey in Ganna is an architectural complex formed by the church (consecrated in 1160), the bell tower, the cloister and the monks' homes. The abbey is located in the municipality of Valganna and is a place of worship dedicated to the memory of San Gemolo. According to the legend, the Saint walked to the abbey to be buried, bringing his own head in the hand. The cloister hosts the Museum of the Abbey with heterogeneous material, from prehistoric finds to nineteenth-century laces and embroideries.
unpinned
Saint Mark's Church
Saint Mark’s Church is Zagreb’s iconic building due to its signature colourful tiled roof. It is one of the oldest buildings in Zagreb dating from the 13th century. You will notice the Southern portal. It is equally important as it is the richest looking gothic portal in Croatia. The portal consists of 15 sculptures (11 stone gothic sculptures and 4 wooden baroque sculptures) in 11 niches. Sculptures present Virgin Mary with the Child, Christ, St. Mark and the apostles. Saint Mark’s uniquely colourful tiled roof was constructed in 1880 by Friedrich Schmidt and Herman Bollé. On it, you will see the medieval coat of arms of Croatia, Dalmatia and Slavonia on the left side, and the emblem of Zagreb on the right. On the other hand, inside, you will see sculptures by Ivan Meštrović and art by Jozo Kljaković and Ljubo Babić. Eventually, the frescos were renovated, the ceiling was gilded with 22-carat gold leaflets and a new organ has been recently installed.
unpinned
Cathedral of Zagreb
Zagreb Cathedral was formerly known as St. Stephen’s Cathedral. Today, the Cathedral of the Assumption of the Blessed Virgin Mary is dedicated to the Assumption of Mary and to kings Saint Stephen and Saint Ladislaus. Once you get to Kaptol Square you will see it is dominated by Zagreb cathedral which has been there since the 11th century. The Archbishop’s Palace encloses it from three sides, and because of its twin 108 meters (354 ft) high spires, it is the tallest building in Croatia. It literally soars over the city. The Zagreb Cathedral must be seen and its sacristy is of great architectural value. What you will see today does not represent the original construction. The first Cathedral was damaged during the Tartar attack and a great fire in the 13th century. Finally, it was severely damaged by the 1880 earthquake and was restored in the Neo-Gothic style by Hermann Bollé, the cathedral you see today.
unpinned
Santa Caterina del Sasso
Clinging to a sheer rock overhanging one of the deepest parts of Lake Maggiore, the hermitage is a monastery made up of three buildings dating back to the thirteenth and fourteenth centuries. It offers a wonderful blend of art and history set against one of the most charming natural canvases on Lake Maggiore, in which the rock appears to almost form a balcony leaning out towards the Borromean Islands. The hermitage can be easily accessed via a short walk from the lake or a picturesque staircase with 268 steps from a large square above, and a lift has recently been installed.