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Churches, Hvar

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Square & Cathedral of St. Stephen
If you visit Hvar, all the streets will lead you to Hvarska pjaca (Hvar's square), the centre of the city's public and social life and the largest square in Dalmatia. The eastern side of the square is surrounded by the Cathedral of St. Stephen that was built on the foundations of an early-Christian church from the 6th century and that acquired its present appearance in the 16th and 17thcentury. The Cathedral is dedicated to St. Stephen, a pope and martyr, the protector of the Diocese and the city of Hvar. The renaissance bell-tower of the Cathedral and Hvar's other bell towers (St. Mark, Franciscan and the ruined one of St. Venerande) are considered to be the nicest ones in Dalmatia. Hvar's Cathedral preserves many valuable items and paintings of famous painters like Stefano Celesti, Palma Junior and the Spanish painter Juan Boschettus, but the most renowned painting is definitely Madonna, an example of the proto-Venetian art and one of the oldest in Dalmatia originating back in 1220. In the Episcopal Palace standing next to the Cathedral, a collection of objects of art, sacred vessels, archival documents, old books and liturgical vestments was founded in 1963. http://www.visit-hvar.com/tours/square-of-st-stephen-cathedral-of-st-stephen/HV-TR-37
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Church Fort of St. Mary
One of the most significant monuments of the island of Hvar is definitely the Church – fort erected in 1571, after the Turkish attack on the location of an older church that originated in 1465. The church has the shape of a fort with an observation post and a loop-hole and from its top, there is a beautiful panoramic view of the surrounding places and fields. The church preserves valuable works of Stefan Celesti ('Lady of Mount Carmel'), Antonio Sciuri ('Mary's Childbirth'), Giuseppe Alabardi ('Resurrection' and 'Placing into the tomb') Marko Rašica ('Lady of Mount Carmel') and Celestin Medović ('Homage of the Three Kings'). https://www.visit-hvar.com/tours/church-fort-of-st-mary-vrboska/HV-TR-23
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Church of the Assumption Jelsa
Today's parish church, the Church of the Assumption was erected on the foundation of the early gothic church and was expanded and fortified in 1535. The church vestry preserved valuable liturgical vestments and several crosses of artistic value and the painting of "Mother of God and the torture of Fabian and Sebastian" of the Flemish-Venetian painter Pietera de Costera is especially valuable. 15th of August, the day of Vela Gospa (The fiesta of the Assumption) there is a fiesta in Jelsa when people from the surrounding places visit Jelsa. On the night of Good Thursday from Jelsa starts the procession Za Križem (Procession of the Cross) towards Pitve then further on towards Vrisnik, Svirče, Vrbanj and Vrboska. After a 22 km long journey, with the first rays of the morning sun, the procession returns to the parent church. This unique tradition which has been going on for 500 years is on a representative UNESCO list of non-material cultural heritage of the world. https://www.visit-hvar.com/tours/church-of-the-assumption-jelsa/HV-TR-125
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Cathedral of Saint Domnius
Among the European cathedrals the one in Split finds its seat in the oldest building - the Mausoleum of the Roman Emperor Diocletian. Inside the cathedral, at the end of the second millennium, the history reconciles ancient pagan, Christian Medieval and modern heritage. http://visitsplit.com/en/527/cathedral-of-saint-domnius
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Church and Monastery of St. Francis
The Church and the Monastery of St Francis, located on the Western part of the Riva, were built on the old early Christian site, by the grave and a small Church of St Felix, martyr from the time of Diocletian. In the 13th century, the Little brothers of St Francis inhabit the Church. From the Churche's artwork, the most valuable is the Gothic Crucifix painting by Blaž Juraj of Trogir from the beginning of the 15th century, and the sarcophagus depicting the Crossing over the Red sea, part of the sacral artwork from the Roman times. Next to the Church is a Franciscan monastery with a 13th-century cloister and an opulent library with over 3000 books, among which even some from 16th century. In the Church and the Monastery are tombs of prominent citizens of Split, like the father of Croatian literature Marko Marulić and one of the greatest Croatian politicians Ante Trumbić whose sarcophagus is the work of Ivan Meštrović. https://visitsplit.com/en/1239/church-and-monastery-of-st-francis
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Chatedral of St Lawrence
During structural repairs to the foundations of the bell tower in 1903, an altar consecrated to Hera was found, which might well warrant the assumption that there was once, on the site of today's cathedral, a shrine from at least the Greek and Roman period. http://www.portal-trogir.com/about-trogir/must-see/#katedrala
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St Marks Cathedral
St. Mark’s Cathedral is probably the most important building in the Korcula Old Town. It is built in Gothic-Renaissance style, completed in the 15th century at the place of other church from 13th century. It was built by local masters and craftsman of stone masonry, very well known in renaissance and baroque Dubrovnik and Venice. Most famous among them was stonemason Marko Andijic who completed the cathedral’s tower and cupola (1481) as well as elegant ciborium above the main altar. Cathedral’s facade is decorated with the truly beautiful fluted rose and various relief and statues (photos), while the main door – portal is framed by statues of Adam and Eve and figures of lions. Inside the Cathedral there are two Tintoretto’s paintings. This is the largest Church in the city, oriented east-west. Here on the highest point on the peninsula and central square was a smaller Church most likely consecrated to the Mother of God. https://www.korculainfo.com/st-marks-cathedral/
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St. James Cathedral
The Cathedral of St. James in Šibenik is one of the most significant and most beautiful architectural achievements in Croatia and was included on the UNESCO Cultural World Heritage List in 2000. It was built in a stretch of more than a hundred years, during the 15th and 16th century, and is unique for it is entirely built of stone. The most important builders of the Cathedral were Juraj Dalmatinac (Georgius Mathei Dalmaticus) and Nikola Firentinac (Niccolò di Giovanni Fiorentino). The Cathedral was first built in Gothic, and completed in Renaissance style https://www.sibenik-tourism.hr/lokacije/cathedral-of%20-st-james/1/en.html
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Church of St.Donat
Church of St.Donat is round pre-Romanesque church which was called the Church of the Holy Trinity until the 15th c., and from that time on carries the name of Saint Donat, by the bishop who had it built. https://www.zadar.travel/en/city-guide/historical-monuments/22-05-2007/st-donatus-church#.Wk4fl1T1VsM
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Franciscan Church and Monastery
The Franciscan Church and Monastery is a large complex belonging to the Order of the Friars Minor. It consists of a monastery, a church, a library and a pharmacy. It is situated at the Placa, the main street of Dubrovnik, Croatia. Church and bell tower of the Franciscan church The earliest monastery was built in the 13th century outside the walls. A new monastery inside the walls and close to the Pile Gate, was built in 1317, but its construction took centuries. Parts of the complex were rebuilt several times. The church was destroyed by the earthquake of 1667. Amongst the losses was a statue by Pietro di Martino da Milano. The only element remaining is the decorated portal overlooking the beginning of the Placa, the main street of Dubrovnik. It was sculpted in 1498 in Gothic style by the workshop of the brothers Leonard and Petar Petroviċ. The almost life-sized Pietà in the central lunette, decorated with flamboyant leaves, is flanked by the figures of St. Jerome (holding a model of the pre-earthquake church) and St. John the Baptist. On top of the lunette stands the figure of the Father Creator. The interior of the church was reconstructed in Baroque style with a single nave. The marble pulpit survived the earthquake of 1667. The main altar with the statue of the resurrected Christ between four twisted marble columns was created by the sculptor Celia from Ancona in 1713. The five side altars were sculpted by the Venetian Giuseppe Sardi between 1684 and 1696. The decorations on the altar of St. Francis were painted in 1888 by the painter Celestin Medovic. The poet Ivan Gundulić is buried in this church. The monastery was built in 1360 in late Romanesque style by the master Mihoje Brajkov of Bar. https://www.godubrovnik.guide/dubrovnikthingstodo/franciscan-church-and-monastery/
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Dubrovnik Synagogue
The Old Synagogue in Dubrovnik, Croatia is the oldest Sefardic synagogue still in use today in the world and the second oldest synagogue in Europe. It is said to have been established in 1352 but gained legal status in the city in 1408. Owned by the local Jewish community, the main floor still functions as a place of worship for Holy days and special occasions, but is now mainly a city museum which hosts numerous Jewish ritual items and centuries­old artefacts. Located in one of the many tiny streets of the Old Town of Dubrovnik, it is connected to a neighbouring building which has long been owned by the Tolentino family, who have been caretakers of the synagogue for centuries.[2] The internal layout is different from other European synagogues and has gone numerous refurbishments throughout the centuries, and has a mixture of designs from different eras. The building has sustained damage several times, with the great earthquake in 1667, World War II, and the Croatian War of Independence in the 1990s. The damage has since been repaired as closely as possible to its original design, and the synagogue reopened in 1997. The small museum contains many artifacts from throughout the Jewish community’s history in the city. https://www.godubrovnik.guide/dubrovnikthingstodo/jewish-synagogue/
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The Cathedral of Jesus' Sacred Heart
The Cathedral of Jesus’ Sacred Heart was built in 1889 in the Neo-Gothic style and is the seat of the Archdiocese of Vrhbosna. The interior of the church is richly decorated and it was the famous Italian-German painter, Alexander Maximilian Seitz, who did the frescos. The Cathedral of Jesus’ Sacred Heart also houses the tomb of Josip Stadler, who served as Archbishop of the Archdiocese of Vrhbosna at the beginning of the 20th century and initiated the cathedral’s construction. There is also a statue in front in honor of Pope John Paul II, who visited Sarajevo in 1997, soon after the war had ended, to send a message of peace and tolerance from BiH’s capital city. https://sarajevo.travel/en/things-to-do/the-cathedral-of-jesus-sacred-heart/78
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Gazi Husrev Bey's Mosque
Gazi Husrev Bey’s Mosque, or Bey’s Mosque, as it is known locally, was built in the center of Baščaršija in 1530. Bey’s Mosque was designed by Adžem Esir Ali, a Persian from Tabriz, who was the chief architect in the Ottoman Empire at that time. Today, this mosque is rightly seen as the most important architectural monument from the time of Ottoman rule in Bosnia and Herzegovina. There are many Bosnian leaders buried in the mosque’s courtyard, including Reis-ul-Ulema, Mehmed Džemaludin Čaušević; the politician, Dr. Mehmed Spaho; the reformer, Ali Bey Firdus; the poet, Safvet Bey Bašagić. https://sarajevo.travel/en/things-to-do/gazi-husrev-beys-mosque/176
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Chapel of St. Maria Formosa
It is one of the two chapels built in the 6th century as part of a large Benedictine abbey demolished in the 16th century. The floor and walls were decorated with mosaics, some of which are now in the Archaeological Museum of Istria. It was built in the style of Ravenna churches, the only difference being the use of stone instead of brick. Due to its dimensions, method of construction and good state of preservation, the Chapel represents an extraordinary architectural masterpiece of its time. https://www.pulainfo.hr/where/chapel-st-maria-formosa
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Shrine of Our Lady of Trsat
The Shrine of Our Lady of Trsat is the largest pilgrimage centre of Western Croatia. Its foundation is reported to be, according to tradition, related to the miraculous transport of the Nazareth Barn, and its stay on Trsat (1291 – 1294). Shortly after the relocation of the Mother of God’s house to Loreto, Prince Nikola I of Krk built the first small church on the place where the barn stood on Trsat. Marija`s Trsat became a pilgrimage point of convergence, the reputation of which was strengthened by the astounding painting of the Lady of Trsat, which was a gift given to the inconsolable Croats in 1367 by Pope Urban V for the loss of the Holy Barn. In the XV century, the Sanctuary was taken over by Franciscans, who have remained its guardians to the present day. On 8 June 2003, Pope John Paul II attended a long pilgrimage procession. http://www.visitrijeka.eu/What_To_See/Attractions/Shrine_of_Our_Lady_of_Trsat
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St. Vitus Cathedral
St. Vitus’ Cathedral is the only Baroque rotunda of monumental proportions built on Croatian soil. The construction of this church, designed by the Jesuit architect G. Briano, began in 1638. It was made on the model of the famous Venetian church of Santa Maria della Salute. http://www.visitrijeka.eu/What_To_See/Monuments/St._Vitus_Cathedral
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Church of Our Lady of the Annunciation
This interesting neo-Romanesque building with three naves and a noticeable green dome dates from 1906. Its construction, to the designs of the architect Karl Seidl, was begun by the Austrians and continued by the Italians. https://www.visitopatija.com/en/church-of-our-lady-of-the-annunciation-p478
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Cathedral of Zagreb
Zagreb Cathedral was formerly known as St. Stephen’s Cathedral. Today, the Cathedral of the Assumption of the Blessed Virgin Mary is dedicated to the Assumption of Mary and to kings Saint Stephen and Saint Ladislaus. Once you get to Kaptol Square you will see it is dominated by Zagreb cathedral which has been there since the 11th century. The Archbishop’s Palace encloses it from three sides, and because of its twin 108 meters (354 ft) high spires, it is the tallest building in Croatia. It literally soars over the city. The Zagreb Cathedral must be seen and its sacristy is of great architectural value. What you will see today does not represent the original construction. The first Cathedral was damaged during the Tartar attack and a great fire in the 13th century. Finally, it was severely damaged by the 1880 earthquake and was restored in the Neo-Gothic style by Hermann Bollé, the cathedral you see today. https://www.visitzagreb.hr/zagreb/zagreb-cathedral/
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Saint Mark's Church
Saint Mark’s Church is Zagreb’s iconic building due to its signature colourful tiled roof. It is one of the oldest buildings in Zagreb dating from the 13th century. You will notice the Southern portal. It is equally important as it is the richest looking gothic portal in Croatia. The portal consists of 15 sculptures (11 stone gothic sculptures and 4 wooden baroque sculptures) in 11 niches. Sculptures present Virgin Mary with the Child, Christ, St. Mark and the apostles. Saint Mark’s uniquely colourful tiled roof was constructed in 1880 by Friedrich Schmidt and Herman Bollé. On it, you will see the medieval coat of arms of Croatia, Dalmatia and Slavonia on the left side, and the emblem of Zagreb on the right. On the other hand, inside, you will see sculptures by Ivan Meštrović and art by Jozo Kljaković and Ljubo Babić. Eventually, the frescos were renovated, the ceiling was gilded with 22-carat gold leaflets and a new organ has been recently installed. https://www.visitzagreb.hr/zagreb/saint-marks-church/
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Franciscan Monastery Rovinj
Rovinj represented an exception among the cities on the west coast by the lack of a Franciscan monastery during the first period of the existence of the order. Only at the end of the fifteenth century, the Diocese of San Geronimo decided to build one on the island of St. Andrew (Red Island) near Rovinj, upon the site of the Benedictine hospice and the church from the sixth century. According to tradition, the monastery was founded by St. John of Capistrano, a famous missionary engaged in the fight against the Turks. His body is kept in the Franciscan monastery of Ilok, in eastern Croatia. In 1807, after nearly four centuries after its foundation, the monastery of Saint Andrew was closed by Napoleonic authorities. In the early eighteenth century, the St. Anthony's Franciscan reformers built a new monastery in the north, in the continental part of the city, which was not yet connected to the mainland. In 1696 the City Council invited the Franciscans to come to Rovinj to erect a new hospice. The approval of the Doge Alvise Mocenigo arrived in 1700 and two years later, in 1702 the construction of the church and hospice began. On that occasion, for the first time explosive was used in Rovinj to derive rock tanks for rainwater. https://www.inforovinj.com/eng/rovinj/znamenje/franjevacki-samostan.asp
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Church of St. Euphemia
A small church of St. George used to be situated where the Church of St. Euphemia is located today. When St. Euphemia's sarcophagus was brought to Rovinj, the Church of St. George became too small for all the pilgrims. In the 10th century, the people of Rovinj started building a new, bigger church. It was a three-nave church with three projected apses and wooden statues of St. George and St. Euphemia. At the beginning of the 17th century, a new gold-plated stone statue was erected which until this day remains on the altar of the Saint. The church itself required with time more and more reparations, and the town population grew so that the people of Rovinj decided to build an even bigger church. The building process started in 1725 and lasted until 1736. Three main altars were built in 1741, and the organ was installed in 1754. The façade was designed and built in the second half of the 19th century. Many altars and paintings enrich and embellish the church from within. https://www.inforovinj.com/eng/rovinj/znamenje/crkva-sv-eufemija.asp
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Church of St.Thomas Rovinj
St. Thomas church is situated 4 kilometres north of Rovinj, next to the old railway line that led from Rovinj to a small place Kanfanar. This edifice has a cross ground plan lately completed by a church tower placed on its north side. There is a six metres high apse, semicircular on the inside part and polygonal on the outside part. Lateral windows are enriched by semi-circular apses as well, although being constructed of smaller size. These apses are connected with the central nave by a high semi-circular passage. In the north part of the church, the original paving was discovered along with the preserved stand of shrine partition with several niches for pilasters. Above the central part, the remains of arches that upheld the retracted construction high above the roofing are still visible. A radical constructional intervention was undertaken on the church in the 16th century, changing completely its original form. Since the lateral arches were walled in the whole edifice got one nave. The west part of the edifice was significantly shortened and altered by a new forepart with two square windows. https://www.inforovinj.com/eng/rovinj/znamenje/crkva-sv-tome.asp
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The Duomo of Salerno
Cattedrale di San Matteo—the cathedral of Salerno—houses ancient Greek columns, Roman sarcophagi, medieval pulpits, and the body of St. Matthew the Evangelist Although World War II bombs devastated most of medieval Salerno, the Duomo's lovely 11th-century atrium courtyard was spared. It contains 28 antique columns pilfered from the ancient Greek ruins of Paestum. Behind them are Roman sarcophagi recycled in the Middle Ages as the tombs for local grandees. The cathedral was founded in 1081 by Hauteville Norman adventurer Robert Guiscard who by then had conquered his way to becoming Duke of Apulia and Calabria (which, at the time, covered pretty much all of southern Italy; the neighbouring Dutchy of Naples was confined just the sliver of land around the Bay of Naples itself). Robert was, for good measure, also Duke of Sicily. An earthquake in 1688 caused most of the cathedral to be rebuilt along baroque lines, though from the older church remain a fabulous pair of inlaid ambones (pulpits) similar to those at Ravello. Proof that the city of Salerno was once a much bigger deal than it is today: The cathedral crypt, lavishly decorated with precious marbles in the 17th century (and restructured in the 1960s), houses the bones of St. Matthew the Evangelist. http://www.reidsitaly.com/places/salerno/see/the-duomo-of-salerno/
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Santa Chiara Church and Cloister
Near the Gesú Nuovo church, there is the monumental complex of Santa Chiara, one of the most important buildings commissioned by the French Kingdom of Anjou for the Franciscan order. Built in 1340, it is a rare example of Medieval architecture in Napoli. The convent was to accommodate both monks and nuns in two separate buildings but at the same time depending on the same church. The church was then built in a simple Gothic style, with the typical Neapolitan yellow tufa. Unfortunately, the church has been reconstructed changing the original features into the Baroque style with marbles, polychrome stuccos and exorbitant decorative elements by Domenico Antonio Vaccaro between 1742 and 1769. Sadly, in 1943 the church was partially bombed during the second world war. It was decided that it would be rebuilt in its original Gothic style. It was reopened in 1953. Most of the antiques sculptures have returned to their original location, including the splendid tombs of the member of the Anjou family, like the monumental tomb of Robert of Anjou dated 1343, the tomb of Mary Valois, second wife of Robert, and his son's tomb. A small part of a fresco still remains from the medieval decoration attributed to Giotto (who stayed in Napoli between 1328 and 1333) and his workshop. The fine cloister outside the church is richly decorated with majolica tiles and it is a pure gem of the eighteenth century, designed by Domenico Antionio Vaccaro. He left the original medieval plan of the cloister but redesigning parts of it, adding two wide paths in the middle, the fine majolica decorations on the pillars with motif of vine shoots and wisteria twisting up, flowers, lemons while the seats are decorated with scenes of the city and country life in the eighteenth century. http://www.girlfromnaples.com/santa-chiara-church-and-cloister/
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Cathedral of Ravello
Built in the 11th century with support from the Rufolo family, the Duomo is a combination of Baroque and Romanesque styles. Dedicated to St. Pantaleone, the church has undergone extensive modifications and restorations over the past 900 years. The Duomo’s shining white façade dates back to the last major restoration in 1931. The Duomo’s bell tower, which dates back to the 13th century, shows Moorish and Byzantine influence. Today, the Duomo is primarily remembered for five attractions: The first is the bronze door, which was temporarily removed for restoration in 2010. Constructed in 1179 by Barisano da Trani, the door is of special interest because fewer than two dozen bronze church doors are still extant in Italy, three of them by Trani. The second item of special note is the pulpit, which is supported by six spiraled columns sitting atop marble lions. Across from the pulpit, to the left, is the Ambo of the Epistles that boasts two wonderful mosaics of Jonah and the Whale. The fourth area of special interest is the Chapel of St. Pantaleone the Healer, a 3rd century physician who was beheaded, on orders of the Emperor Diocletian, after he converted to Christianity. The Chapel has a small ampoule of the saint’s blood, which is said to liquefy every year on July 27th, the anniversary of his martyrdom. The chapel also has a silver bust of the town’s venerated saint. The final attraction is the cathedral's museum, which is accessible through a side entrance on the Via Richard Wagner. https://www.ravello.com/attractions/duomo/
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The Co-cathedral Church
The Church of St. Peter and St. Paul is the co-cathedral of the Roman Catholic Archdiocese of Đakovo-Osijek. A co-cathedral is a cathedral church which shares the function of being a bishop’s seat, or cathedral, with another cathedral, often in another city. http://croatia4me.com/en/travel-directory/co-cathedral-of-sts-peter-and-paul-in-osijek/
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Amalfi Cathedral
Amalfi Cathedral is a 9th-century Roman Catholic structure in the Piazza del Duomo, Amalfi, Italy. It is dedicated to the Apostle Saint Andrew. Predominantly of Arab-Norman Romanesque architectural style, it has been remodelled several times, adding Romanesque, Byzantine, Gothic, and Baroque elements. The cathedral includes the adjoining 9th-century Basilica of the Crucifix. Leading from the basilica are steps into the Crypt of St. Andrew. A wooden 13th-century Crucifix hangs in the liturgical area. Another crucifix, made of mother-of-pearl, was brought from the Holy Land and is located to the right of the back door. The High Altar in the central nave is formed from the sarcophagus of the Archbishop Pietro Capuano (died in 1214). Above the altar is a painting by Andrea dell'Asta of The Martyrdom of St. Andrew. The front facade was rebuilt in 1891 after the original one collapsed. It is of striped marble and stone with open arches that have lace detailing not commonly found in Italian sacred architecture while the tiled cupola is quite common amongst churches of the area. The tympanum's mosaics portray “The triumph of Christ” in a work created by Domenico Morelli and whose original designs are retained in the Town Hall. https://www.livesalerno.com/amalfi-cathedral
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Tempio Malatestiano
The Tempio Malatestiano, or the church of San Francesco as it was correctly known up until the nineteenth century, is perhaps the most important monument in Rimini, and certainly one of the best preserved. http://www.visit-rimini.com/general-sightseeing/tempio-malatestiano/
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Cathedral of San Lorenzo
Built in the XV Century as a replacement for the earlier Romanesque cathedral, is situated in an area considered sacred since the archaic age, as testified in the several layers recently came to light. http://turismo.comune.perugia.it/poi/cathedral-of-san-lorenzo
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The Church of Santa Maria delle Grazie
The Church of Santa Maria delle Grazie, is a interesting frescoes and works sculpted in wood. http://www.italia.it/en/discover-italy/apulia/lecce.html
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Resurrection of Christ Orthodox Cathedral
Tirana’s Resurrection of Christ Orthodox Cathedral is not just a Cathedral. It is the third-largest such structure in the Balkans and is located close to the centre of Tirana. The construction of the building, south-west of Tirana Centre Plaza, was completed in 2012. The cathedral complex comprises the cathedral itself, the chapel of the Nativity, bell tower, the residence of the Holy Synod, cultural centre, a library, two other chapels and a small museum. The cathedral's dome reaches 32.2 metres above ground, with the bell tower reaching 46 metres. Following its construction the cathedral has become a major tourism attraction in Tirana http://www.visit-tirana.com/things-to-do/attractions/22/resurrection-of-christ-orthodox-cathedral-of-tirana
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Basilica of St. Peter
St. Peter’s Basilica is one of the holiest temples for Christendom and one of the largest churches in the world. Besides, it is where the Pope presides many liturgies all year round. The construction of the new basilica began in 1506, when the old basilica had been torn down, and was finished in 1626. It was consecrated on 18 November, 1626. Several renowned architects designed the temple, highlighting the works of Bramante, Michelangelo and Carlo Maderno. The basilica was called St Peter’s after one of Jesus’s twelve disciples known as Saint Peter, who became one of the founders of the Catholic Church and was executed in Rome and buried where the Basilica now stands. Visiting St Peter’s Basilica is an unforgettable experience when staying in Rome. Visitors mustn’t miss out on climbing to the top of the dome, where a stunning view of St Peter’s Square, and if the day is clear of most of the city, awaits them. https://www.rome.net/st-peters-basilica
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St. Peters Basilica
The largest church in the world, St. Peter’s Basilica is more than just the most important building in Christendom. It is a jewel within Vatican City from where Popes have spread the word of God throughout the world. The Basilica is a focal point of millions of pilgrims each year, but it is also a true cultural, historical and architectural landmark.The classic Renaissance structure holds within itself treasures from millennia including paintings, sculptures, artefacts and the art decorated on the walls. A visit to St. Peter’s Basilica is a treat to the senses and the soul! https://www.st-peters-basilica-tickets.com/st-peters-basilica/
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The Basilica di Santa Maria Maggiore
The Basilica di Santa Maria Maggiore is one of the four Papal basilicas of Rome, together with Saint Peter, Saint John in the Lateran and Saint Paul Outside the Walls. https://civitavecchia.portmobility.it/en/basilica-di-santa-maria-maggiore
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St. Mark s Basilica
If you are in Venice you cannot miss the opportunity to visit St Mark’s Church, the famous San Marco Basilica. It is one of the most valuable treasures of history, art and faith in the world, located in St Mark's Square, the so-called ‘drawing room of Europe’. When you visit St Mark’s Cathedral you cannot avoid gazing at the vast amount of decorations, mosaics, architectonic structures, precious objects and sacred and allegorical images that adorn the church inside and outside. To face all this in the best way before delving into the details, it is important to let oneself be swept away by this abundance, which changes time after time depending on the lighting, one’s stance and many other details that all together turn San Marco Basilica into a constantly new and deep experience to live in Italy. A visit of St Mark’s Basilica means entering into an intricate world imbued with religion, art and sacred images that narrate in detail the history of Venice: the beauty of this place is nonetheless blindingly evident and one does not need to decipher it in order to appreciate it. https://www.venetoinside.com/attraction-tickets-in-veneto/tickets/skip-the-line-saint-marks-basilica/
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Saint Mark's Square
Saint Mark’s Square is surely a place that can’t be missed, an exhibition of rare and unique beauty appear on a 360° view in front of the visitors, the Saint Mark’s Church, the bell tower, the “procuratie” and the Napoleonic wing, the clock tower and the two blacks. The Church, a Romanic Byzantine style was born initially as a mausoleum of the Patron Saint, it has 5 domes, marbles and mosaics to embellish the façade, inside, decorations and wall of golden leaf mosaics represents tales of the Patron Saint. The bell tower is the highest point of the city, 98.6 meters tall, from the top there is a unique and breathtaking view of the isle, it was originally built as a watchtower and a lighthouse in the IX century. Finally the clock tower, also a renaissance style palace, its arcade allow to enter into the square from the “Mercerie” so called because during the Republic there where many shops selling precious merchandise coming from distant ports. Today the Mercerie are site for various commercial activities, mostly murano glass shops and most modern cloth and gift shops. http://venice-tourism.com/en/places/san-marco-district/saint-mark%E2%80%99-s-square-360%C2%B0-view