It is located on the promontory of the historical peninsula in İstanbul which overlooks both the Marmara Sea and the İstanbul strait. The walls enclosing the palace grounds, the main gate on the land side and the first buildings were constructed during the time of Fatih Sultan Mehmet (the Conqueror) (1451 - 81). The palace has taken its present layout with the addition of new structures in the later centuries. Topkapı Palace was the official residence of the Ottoman Sultans, starting with Fatih Sultan Mehmet until 1856, when Abdülmecid moved to the Dolmabahçe Palace, functioned as the administrative centre of the state. The Enderun section also gained importance as a school.
Topkapı Palace was converted to a museum in 1924. Parts of the Palace such as the Harem, Baghdad Pavilion, Revan Pavilion, Sofa Pavilion, and the Audience Chamber distinguish themselves with their architectural assets, while in other sections artefacts are displayed which reflect the palace life. The museum also has collections from various donations and a library.
Dolmabahce Palace built in 19 th century is one of the most glamorous palaces in the world. It was the administrative centre of the late Ottoman Empire with the last of Ottoman Sultans was residing there. After the foundation of the Turkish Republic in Ankara, Mustafa Kemal Ataturk transferred all government functions to the youthful capital but on his visits to Istanbul Ataturk occupied only a small room at Dolmabahce Palace as his own. He stayed, welcomed his foreign guests and made a practical centre for national, historical and language congress and for international conferences.
The Istanbul Archaeological Museums is among the most impressive historical venues for your outdoor events and made up of three main units: the Istanbul Archaeological Museum, the Ancient Orient Museum and Tiled Kiosk Museum. The collection of the Archaeology Museum Turkey’s first museum houses over one million artefacts belonging to various cultures collected from the imperial territories. The Archaeological Museum was founded on June 13, 1891, under the name of Müze-i Hümayun (the Imperial Museum). Commissioned by archaeologist, painter and curator.
The Art gallery of Balchik was found in the thirties. At the beginning the gallery works together with the town museum. In 1961 a new museum collection was found. At the beginning there were only 76 works of art, donated by the National Art Gallery and by local people.
The nowadays art gallery was unveiled in 1987. It is settled in reconstructed former high school. The gallery occupies territory of 800 sq. meters. At the first floor there are four halls for temporary and visiting exhibitions and at the second floor there is constant exhibition. Nowadays the fund of the gallery is 1200 works. There can be seen all kind of paint art. Annually there are exhibitions, feasts. At the second floor, where is the constant exhibition, can be seen old and new Bulgarian art of painting and hall of graphic and sculpture. In this hall can be seen works from the “golden fund” of the Balchik Art gallery. Most of those works were exposed at the unveiling of the gallery.
The palace and the botanical garden in Balchik, joined in an architectural and park complex, are a piece of heaven on earth and a must-see tourist attraction on the Bulgarian Black Sea coast. The complex appeared as a summer residence of the Romanian queen Maria (1875-1938).
The visitors to the palace and the botanical garden are especially interested in the chapel “Stella Maris”, the “Alley of wine”, the “Alley of ages”, the “Hanging terraces”, the tomb of Queen Maria, the “Garden of Allah”, the “English courthouse” garden, the “Garden of the cross-shaped water mirror”, the “Palace bridge and the boat garage”, the “Bridge of sighs”, the old mill, the “Silver well” and the numerous archaeological artifacts from antiquity and the Middle Ages. The palace is supplied with water from the springs “Byal Kladenets” and “Chatal chesma”. The villa where once the queen lived houses a museum exhibition, which displays her personal belongings, photographs and documents, as well as a collection of original paintings and icons; antique pottery found during archaeological excavations of Thracian mounds near Balchik and Revival Period weaponry. The hall that once served as the residence’s library is now a gallery. It displays paintings of Bulgarian and foreign artists.
The city, which was founded in the 4th century BC, has remnants of Helen, Roman, Byzantine and Ottoman periods. Kadifekale is on a hill 186 meters high south of the city. It is reported that Amazon women who lived in Kadifekale, formerly "Pagos", descended from the foothills of the mountain and continued their dominance here for many years.
Ethnography Museum of Ankara is the first museum of Turkish Rebuplic which was planned and built by the directive of Atatürk, the great leader. Arif Hikmet Koyunoğlu, the architect of the building, is one of the most valuable architects of the Republican period. The architecture of the Ethnography Museum of Ankara reflects the characteristics of each period of Anatolia from the early ages to the Republic. The Museum which was opened to the public on 18th July 1930 and remained open until the date on November 1938 where the inner courtyard of the museum served as the temporary grave for Atatürk. The Ethnographic Museum of Ankara reopened its doors to the public, owing to the International Museums week, in 6th-14th October 1956.
Ethnography Museum of Ankara contains a rich collection of works which reflect ethnographic aspects of all people lived in Anatolia At the museum, it is possible to see folk costumes, ornaments, Turkish-specific technical materials compiled from various regions of Anatolia as well as the finest examples of Ottoman calligraphic art, Turkish tile and glass art, metalworking art and wooden artefacts. Also exhibited at the Ethnography Museum is a collection of carpets and kilims from the famous carpet weaving centres of Uşak, Bergama, Kula, Milas, Ladik, Karaman, Niğde, and Kırşehir. The museum also has a specialized library on Anatolian ethnography and folklore, containing artefacts available related to the history of art.
The Museum of Anatolian Civilizations, located in Ankara province of Turkey, is just like a gift for history lovers. This superb museum is the perfect introduction to the complex weave of Turkey's ancient past, with its beautiful artefacts picked from just the significant archaeological site in Anatolia.
Very few places in the world could give you a chronological understanding of mankind's mind-boggling progress. Anatolian Civilizations Museum in Ankara is one of them. Arranged as a chronological spiral, this museum will take you on a journey from 900 thousand years ago, to the present time.
The Museum of Anatolian Civilizations has on display priceless artefacts dating from the Paleolithic and Neolithic Ages and from Hittite, Phrygian, Urartu and Roman civilizations.
The Archaeological museum which housed the exposition “Veliko Tarnovo – the capital of Bulgaria XII – XIV c.” is situated westward to the square of “Saedinenie”. The thousand year old history and culture of the region of Tarnovo is traced out there. The accent is on the period of the Second Bulgarian kingdom.
The prehistory is presented in the first hall. You can see some archaeological findings from the tumulus of Samovodene (5700-5000 BC), the settlement in the area of “Kachitsa”, V.Tarnovo (5300-3800 BC), Djulyunitsa (4800-4000 BC), tumuli of the village of Hotnitsa, the waterfall near Hotnitsa (3600 BC), the Thracian village on the hill of Tsarevec.
The point is on the golden treasure of Hotnitsa that dates back to about 4100 BC. It is worth to see the golden objects from the cave of the village of Emen and a piece with signs of proto-writing system.
Multimedia visitor centre “Tsarevgrad Tarnov” is located near Tsarevets hill. Notable sculptures and paintings present historical figures and events of the Second Bulgarian Kingdom. It recreates lives of different social layer in medieval bulgarian society – monarchs, clergy, boyars and warriors, craftsmen.
Visitors will experience the rich history of Tsarevgrad as a symbol of royalty, glory and spiritual power.
Plovdiv Regional Ethnographic museum is the second largest specialized museum of this type in Bulgaria. It is an acknowledged scientific-educational institution and an attractive center for cultural tourism. The museum was established in 1917 and since 1938 it has been located in Kuyumdzhieva house, a cultural monument of national significance. Plovdiv Regional Ethnographic museum provides coordinative, qualification and expert-consulting activities for all museums and collections of artifacts with ethnographic character on the territory of Plovdiv and the region. In addition, the museum lends its methodical support to the municipal and private museums.The museum is a co-organizer and a host of popular traditional festivals such as Festival the Annual Festival of Chamber Music, The Festival of Classic Guitar, etc., as well as concerts, biennials, fashion shows, theatrical plays, book presenting and performances. The demonstration of traditional crafts is another type of tourist attraction.
The Ancient theatre of Philipoppol is one of the best-preserved ancient theatres in the World. It is located on the Southern slope of the Three Hills, in the saddle between Taksim and Dzhambaz tepe. Discovered by archaeologists from Plovdiv and reconstructed in the beginning of the 80s of XX century, the Ancient theatre of Philipoppol is among the most significant findings from the Roman period. Recently found and deciphered inscription on a monumental pedestal reveals that the theatre has been constructed in the 90s of I century A.D., when Philippolol was under the rulership of Titus Flavius Cotis – an heir of a Thracian Royal Dynasty, the high priest of the Tracian province, representative of the Metropolitan Court of Justice and a person in charge of the construction sites.
Nowadays, the Ancient theatre is symbolical for Plovdiv and adjusted to the city’s modern cultural life. It is operating as a stage of opera, music and drama. Some of the best annual events are the International Folklore Festival, the Opera Festival "Opera Open", the Rock Festival "Sounds of Ages" and many others.
The building was erected as an officers club in 1895. In the period 1905-1923 it was Peoples Home, which housed workers theatre, brass band and evening classes.
In 1951 the building was turned into a Museum of the History of Capitalism, Working Class Movement and Socialist Construction. Nowadays it accommodates the Museum Centre of Modern History with a large, fully equipped hall, which allows the arrangement of art and photographic exhibitions, presentations, seminars and other public events.
Steering just a little from the Main Street in Plovdiv and imperceptibly you find yourself in “Kapana” (literal translation: “The Trap”). Once you get there you would never want to go back.
You will find galleries, workshops, ateliers, studios, cozy restaurants and shops, as well as other art spaces, and there is even a vinyl shop! And to back our words up, here is a list of places you should not miss in “Kapana”: Vinyl’s home place Soul Searchin’ – Point-Blank Gallery – Darvodelie Atelier – What A monster – Kotka and Mishka....
All these places fill “Kapana” with modern cultural content not only with their daily activities but also organizing events with social, economic and cultural effect for the city. What happens in the new/old art district of Plovdiv is so much – concerts, exhibitions, festivals, forums, brainstorming sessions and discussions, theatrical performances, art installations, screenings, workshops and many more.
Theodor Pallady Museum is an interesting landmark for two reasons: it is housed by one of the oldest dwelling buildings in Bucharest, Malic House and here you can see the collection of more than 1700 items, valuable paintings but not only.
Theodor Pallady, one of the greatest Romanian painters, was born in 1871. He will study the Polytechnics in Dresda but soon will realize he was made for painting. In 1892 Theodor Pallady enters Gustave Moreau’s workroom in Paris where he will also meet Henri Matisse. It is in Paris where Pallady will become the friend of Gheorghe Raut whose guest will be a few years and who will also donate his collection, including Pallady’s works to the Romanian State. This happened in 1970.
If you are an art lover you should not miss this place. They have a permanent collection exhibiting historical artefacts and they always have a temporary exhibition bringing new items. Housed in the neoclassical Sutu Palace(1834), the museum features some 300,000 artefacts, from coins, books, maps, engravings, paintings, arms and furniture to old traditional costumes. Among the most valuable exhibits are the document attesting for the first time the name of the city of Bucharest, issued by Vlad Tepes in 1459.
The Contemporary Art Museum in Bucharest houses a great collection called Seeing the history from 1947 to 2007, which is an exhibition about the communist period, the progress of the Eastern European civilization, about the life of people in this period, including the Romanian Revolution in 1989 and the process of modernization of the country after the communists and the integration in the Euro-Atlantic civilization. Of course, the most important pieces of the collection are the art masterpieces exhibited, but the social, political and economical contexts are also explained on the first floor of the museum. There are also events organized here, like the recent one called The art condition in Russia and Eastern Europe in postmodern society, by an art historian Yunnia Yang from Taiwan. An impressive collection of photos made after masterpieces signed by great artists is also housed by the Museum. We are talking about 3 millions of copies in a digital archive.
Romanian Athenaeum is one of the most beautiful buildings in Bucharest and cultural center and also host for GEORGE ENESCU FESTIVAL.
In 1886, authorities bought the land where the future Athenaeum was to be built. This is how the history of the Romanian Athenaeum begins. The French architect Albert Galleron and the Romanian architects Grigore Cerchez, Alexandru Orascu, Ion Mincu and I.N. Socolescu started the project. Works began in 1886 and were finished in 1889. It was built in neoclassical style, it has Greek temple elements but also French decorations from the end of the 19th century. A circus was on the land of the nowadays Romanian Athenaeum in Bucharest. The entrance has 6 Greek columns, the dome is Baroque style, 41 meters high.
The interior of the Romanian Athenaeum in Bucharest includes exhibits rooms, concert halls and conferences halls. 12 Greek columns sustain one of the main halls, the Rotonda. 4 monumental stairs start from here, imitating Carrara marble, made by the famous architect, Carol Stork. The honour stairs also start from here. The great circular hall is 16 meters high, 28,50 meters in diameter and 784 seat capacity. There is also an ensemble of 75 meters long and 3 meters high of paintings, made in alfresco style, representing 25 scenes from Romania’s history. In 1944, during the war, the Romanian Athenaeum in Bucharest was devastated by German and American bombs but it was rebuilt in 1945.
Bucharest National Opera House needed headquarters since the beginning of the 19th century. The nowadays building housing the National Opera in Bucharest was designed in 1946.
The first Italian theater was opened in Bucharest in 1843 and it has to do with the National Opera, for it was opened with the opera Norma by Vincenzo Bellini, followed by the Barber of Seville by Rossini. In 1870, the composer and conductor George Stefanescu tried to persuade the authorities to build a headquarters for the Opera. Thus he launches the Opera Company in 1885 with the performance of Linda di Chamonix by Donizetti, sung in Romanian. Only in 1921, the Opera Company receives the necessary funds in order to organize itself in the new institutional order, becoming the Romanian Opera. The premiere of Lohengrin by Richard Wagner, with George Enescu conducting, was the opening performance that year.
The theater was built in classical style. The main hall ha 2200 seats, surrounded by lodges and amazing acoustics. There are four caryatids, four statues, Drama and Poetry statues, a bas-relief called Music and another one called The Dance. George Enescu’s monument is in front of the building.
Village Museum in Bucharest is an open-air exhibit for tourists who want to learn more about rural life in Romania. It is so fine that you might want to move into it. That was a joke. You wouldn’t want to leave in underground houses or in the same house with your parents, like people in Romania used to do and still do, do you? The Village Museum in Bucharest is a great history lesson for all the people all around the world about the life in South-Eastern Europe, under the Russian influence, Turkish influence and also, ancient and medieval influences.
The first try to create a museum dedicated to the country life in Romania was attempted in 1867 at the Paris Universal Exhibition. Romanian rural constructions were exhibited there. Then, a sociologist, Dimitrie Gusti sent students and volunteers to target and rebuild old houses from all Romanian provinces and villages.
In 1936, King Carol II opened the new museum which housed 33 authentic houses from Maramures, Moldavia, Transylvania and Muntenia and also churches. The Village Museum became in 1940 after Bucovina was taken by the Soviet Union, house for refugees and many of the buildings were damaged. In 1948, the Museum opened its gates again. 233 constructions could be visited.
Nowadays in Village Museum Bucharest, the tourists can visit 338 monuments brought from Transylvania, Banat, Muntenia, Oltenia, Dobrogea and Moldavia and also popular art artefacts.
Mevlevi Derhgahı (Dervish Lodge) and the mausoleum started to function as a museum in 1926 under the name of Konya Museum of Historical Works. In 1954 the display pattern of the museum was once more taken up and it was renamed as the Mevlevi Museum.
Velyan’s House in Bansko is located near the Holy Trinity Church and the central square of the town. The house is an example of the architectural style – fortified house of the Bulgarian Revival Period. Velyan’s House was built in the 18th century and was opened to visitors in 1977.
This was a modern two-story building made of stone and wood owned by a wealthy trade family with many children. After a sudden tragedy the family left the house. When the master-painter Velyan Ognev was invited come to Bansko to work on the decoration of the Holy Trinity Temple, the house was given to him by the local people as a symbol of gratitude. The master decorated its interior and exterior and transformed it into a genuine piece of art. With its hiding places, secret exits and fortified walls the Velanova kashta is a piece of legacy from the old times when Bulgaria was under Otoman rule and when people were supposed to hide and protect themselves by the numerous attacks by bandits at that time.
The Holy Trinity Church and especially its tall belfry have become a symbol of Bansko as one of the most attractive mountain resorts, successfully combining the charm of its rich historical past and its picturesque location at the foot of the mighty Pirin Mountain with the most modern facilities for recreation – a wide choice of reputable hotels for all tastes and budgets, one of the best ski zone in South-East Europe.
The Church dedicated to the Holy Trinity was built in the period of the Bulgarian National Revival. Its inauguration was made in 1835. The architectural plan of the church is a three-nave basilica or more exactly a pseudo-basilica with 44 m length, 22 m width and 12 m height. The walls are 1.1 m thick and entirely constructed of local ashlar, welded together by mortar. Large wooden beams of centuries old white fir (typical for the region) are used in the foundation and for leveling the walls. Part of the church is sunken under the ground level in order to look smaller from the outside and Turks can not get an idea about its real size. The altar piece is set within a skillfully constructed and decorated apse in the form of the half of a 18-angle prism with a remarkable stone cornice on the exterior. The roof is hold in the interior of the church by 12 massive wooden columns of white fir, symbolizing the 12 apostles.
Fikret Otyam, Ironsmiths Exhibition and Art Gallery was opened in 2013 to provide a center of excellence where skilled artisans and craftsmen could work and display their trade and craft and provide an insight into the metalworking world to the general public.
The “Ivan Vazov” National Theatre is Bulgaria’s biggest theatre, as well as the oldest and most stand out and most imposing theatre in the country. This theatre is one of the major landmarks in Sofia due to its prime location and grandiose architecture.
The National theatre is located in the centre of Sofia and its edifice faces the City Garden. The Ivan Vazov National Theatre has a well-equipped main stage with 750 seats, a smaller 120-seat stage and an additional 70-seat one on the fourth floor. The theatre employs some of the country’s best actors and stage directors, many of whom are widely popular.
The National Art Gallery is the largest and the most representative museum of the Bulgarian fine arts in the country. It is housed in the building of the former royal palace (declared a cultural monument in 1978), together with the National Ethnographic Museum.
The beginning of the collection was set in 1892 when the art department of the National Archaeological Museum was established. In 1948 by resolution of the Council of Ministers, the National Art Gallery was established as an independent institution.
The exposition of orthodox arts is presented in the crypt of the monumental temple “St. Alexander Nevski” in Sofia. The collection of works of art covers a large period of time – from the adoption of Christianity as an official religion in the Roman Empire in the 4th century to the Age of Bulgarian Revival (18th – 19th century), and it mainly consists of icons.
The collections of contemporary and modern Bulgarian art of the museum – from the Liberation of Bulgaria from the Ottoman Dominion (1878) to the 1990s, contain more than 30,000 works of art, and they are divided into three basic expositions – high quality paintings, graphics and sculptures.
The Municipal Library of Mykonos is housed in a magnificent old mansion that belonged to the Mavrogenis family. Dated to 1735, this beautiful building has seen its own share of history. Located in Agia Kyriaki Square, it houses nearly 6,000 volumes of literature, history and many more categories, though most of the books are in Greek. You can travel through the library looking at numerous photographs as well as Cycladic coins and old seals.
The books were donated by a Mykonian historian, Ioannis Meletopoulos, from his own personal library. Other books were also donated by many more people from their own libraries, while some other donated other things as well, such as black and white sketches of landmarks on the island.
As of now, with the advent of modernity, the municipal library is no longer operational. But they continue to be a symbol of Mykonos rich virile past. Being hundreds of years old, most of the municipal library has been thoroughly renovated and some have even been converted into museums, the most famous being the Bonis Windmill. Providing interesting insights into the life of Mykonos, all the works displayed in the library are unique and extremely interesting. A visit to this wonderful library is worth your time and effort.
Syntagma Square is the most famous in Athens if not all of Greece. No matter where you have to go in Athens, if you can find Syntagma Square you can find your way there.
Syntagma Square is back and better than ever. Well maybe not better than ever. It was probably at it's best in the early 1900's when there were not cars and buses whizzing around it and it was shaded by large trees. But with the re-routing of the traffic, the opening of the new metro and the removal of the wooden billboard covered walls that for at least an entire year, hid the construction site that was once Athens most popular platia, Syntagma looks better than it has in many years. At the top of the square are two stairways and an elevator leading to the Syntagma Metro Station, one of the most beautiful metro stations in the world, with its own museum of artifacts found at the construction site.
Monastiraki is one of the most renowned neighborhoods in central Athens partly because it belongs to the oldest part of the town and due to its traditional flea market. A vivid neighborhood with the aromas and arts of a bygone era still prominent!
The “core” of the historic centre is the Plaka neighborhood (at the eastern side of the Acropolis), which has been inhabited without interruption since antiquity. When you walk through the narrow labyrinthine streets lined with houses and mansions from the time of the Turkish occupation and the Neoclassical period (19th c.), you will have the impression of travelling with a “time machine”
Listed in the world’s top 20, the new Acropolis Museum is home to unique masterpieces, mainly from the Archaic and Classical periods. All exhibits are directly connected to the Acropolis and offer panoramic views of the monument from the museum’s halls.
Bram Stoker’s character, Dracula, is a Transylvanian Count with a castle located high above a valley perched on a rock with a flowing river below in the Principality of Transylvania. Because Bran Castle is the only castle in all of Transylvania that actually fits Bram Stoker’s description of Dracula’s Castle, it is known throughout the world as Dracula’s Castle. Due to its lovely landscape and charming people, Bran-Moeciu is one of the most popular touristic areas in Brasov County and the ideal place to spend a great week-end or your holidaysEvery historical episode is characterized by certain factors that function as a constant, such as time and space. These factors define its place in the evolution of the human community.The region between Bucegi and Piatra Craiului has sparked a series of historical episodes, from prehistoric days until current times, all due to one major geographical and historical factor: the Bran Gorge.The Bran Gorge, one of the most important trans-Carpathian passages, has had a dynamic history. Its story has been characterized by two major components: the trade routes of its crossroads, and the recurring military invasions that utilized them.A natural amphitheater, guarded from the East by the Bucegi Mountains and from the West by the Piatra Craiului Massive, the Bran Gorge offered, due to its concave space, a wide panorama both to Burzenland (Ţara Bârsei), and to the hills and valley of Moeciu.