You’ve probably seen images of Singapore’s national icon, the mythical Merlion with the head of a lion and the body of a fish.
The Merlion's body symbolises Singapore's humble beginnings as a fishing village when it was called Temasek, which comes from the same root as the word tasek ('lake' in Malay).
Its head represents Singapore’s original name, Singapura, or ‘lion city’ in Malay. Today, you can glimpse this legend at Merlion Park. Spouting water from its mouth, the Merlion statue stands tall at 8.6 metres and weighs 70 tonnes.
This icon is a must-see for tourists visiting Singapore, similar to other significant landmarks around the world.
Beautifully restored, Thian Hock Keng Temple, which is dedicated to Mazu, the Goddess of the Sea, is the oldest Chinese temple in Singapore.
Built-in 1839 with the support of prominent members of the Hokkien community, such as philanthropist Tan Tock Seng, Thian Hock Keng Temple is Singapore's oldest Chinese temple.
Dedicated to Mazu, the Goddess of the Sea, early Chinese immigrants came here to give thanks for their safe passage across the vast waves of the South China Sea.
At the temple, take in the remarkable architecture in the traditional southern Chinese style.
Keep an eye out for the detailed carvings and sculptures of dragons, phoenixes, and deities, as well as the colorful broken porcelain on the roof ridges, a Fujian decorating technique.
Amazingly, not a single nail was used in the original construction of the temple, which is now a gazetted national monument and managed by the Singapore Hokkien Huay Kuan.
Clarke Quay and the surrounding Riverside area presents Singapore’s most exciting nightlife scenes, as well as a handful of excellent restaurants good for dining by the waters' edge any time of day. Lining the two riverbanks just upstream from the administrative and financial districts, old colonial shop-houses and moored Chinese junks of Clarke Quay and Boat Quay have been converted into chic pubs, restaurants and nightclubs.
Kota Iskandar, Johor State Administrative Centre was opened in April 2009 and is now one of the must see places in Johor. Inspired by Moorish-Andalusian and Johor Malay designs and motifs, Kota Iskandar is Malaysia’s first Experiential Parliament where visitors through our guided tours will be allowed the chance to enter Johor’s beautiful state parliament hall and immersed in Johor’s rich culture and history while understanding the symbolisms and abstract interpretations in true style and splendour of Kota Iskandar- Johor’s Living Legacy.
Want to know what it’s like to live in a palace? The Royal Museum is possibly the best place to see and experience the royal way of life in an Asian palace.
The Royal Museum opened its doors on 1 February 2013 and is located in the old National Palace which was the official residence of the King and Queen of Malaysia. The old National Palace has now been converted to a museum and is open to the public.
Istana Negara (National Palace) is the official residence of the Yang DiPertuan Agong who is the head of state of Malaysia. The New palace which was opened in 2011 is located at Jalan Duta, replaces the old Istana Negara.
Gedung Kesenian Jakarta is a heritage building from Dutch colonial days, where artists regularly perform traditional and modern drama, concerts, and musicals. Built in 1821 its construction is in neo-renaissance style and was called the Theater Schouwburg Weltevreden or the Pasar Baru Theater since it is located just across the popular Pasar Baru shopping center.
Located on Medan Merdeka Barat, the National Museum is the pride of Jakarta, providing visitors an insight into Indonesia’s long history in cultural heritage from prehistoric days up to today. Having recently been expanded, the museum houses an impressive collection of no less than 109,342 objects covering Indonesia’s Prehistory, Archaeology, Ethnography, Numismatics-Heraldic, Geography and Historical Relics.
Here are statues and stone inscriptions discovered on sites throughout the archipelago starting from the first century AD, a complete collection of batik cloths and woven textiles produced through the years in the different islands. While on the top floor one finds displayed the collection of gold and silver ornaments and jewelry once owned by the rajahs and sultans of the archipelago.
The main Sudirman-Thamrin avenues in Jakarta lead to the Merdeka Square, where in its center stands the National Monument (also known as Monas or Monumen Nasional) which houses the first red-and-white flag flown at the Proclamation of Independence on 17 August 1945. This flag has now become threadbare, and so nowadays on Independence Day ceremonies, the original flag is taken out but only to accompany the replica flag to be flown in front of the Merdeka Palace. The 137 meter tall National Monument is obelisk shaped, and is topped with a 14.5 meter bronze flame coated with 32 kilograms gold leaf.
Within the pedestal is a museum depicting in diorama Indonesia’s fight for Independence as well as the original text of the Proclamation of Independence. A lift takes visitors up to the look-out platform at the base of the flame for a grand view of Jakarta. Surrounding the Monument is now a park with a musical fountain, enjoyed by the Jakarta public on Sundays for sports and recreation. Deer roam among the shady trees in the park.
Taman Mini Indonesia Park is a must-try for families visiting Jakarta or anyone looking to schedule one day in their city holiday plan to appreciate the rich arts and cultural diversity of the whole Indonesian islands. It’s one of the most unique amusement parks in the world and offers a great break away from the hectic metropolitan scenes.
The park boasts multiple pavilions, each representing the unique architectures, traditional costumes and performing arts of the different islands. From the arching roofs of traditional Sumatran houses, eloquent moves of Javanese and Kalimantan traditional dancers, to the ornate wood carvings and heritage textiles from the Nusa Tenggara Islands.
Wat Chalong, the largest, most revered and most visited Buddhist temple in Phuket was built at the beginning of the 19th century, 1837 according to some sources. Chalong Temple (officially Wat Chaiyatararam) is one of the Must-See places in Phuket, together with the nearby Big Buddha of Phuket as they are relatively close to each other.
The tallest building on the grounds of Wat Chalong is a 60 meters tall stupa (chedi) sheltering a bone fragment of Lord Buddha. Walls and ceilings of the temple are decorated with beautiful painting retracing the most significant steps of Buddha’s life. Each floor is also full of large donated golden statues.
Wat Chalong Chedi is built on three floors so feel free to climb all the way to the top floor terrace to get a beautiful bird view on the entire temple grounds. Few more steps will lead you to a glass display where the fragment of bone can be contemplated.
Big Buddha Phuket is a 45-meter-tall white marble statue visible from anywhere in the southern part of Phuket. It is probably at the top of everyone’s ‘Must-Do in Phuket‘, and for a good reason. The views from up there are breathtaking. The statue is built with people’s donation and is still under construction. If you feel like doing something to help to finish the broad base of the Buddha, you can sponsor a piece of white marble for 300 to 1,000 baht depending on the size.
Phuket Big Buddha started in 2002 as the foundation stone was laid by General Phijit Kulawanich, Privy Councilor on May 22, 2002. The official name is ‘Phraphutthamingmongkhol-akenagakhiri Buddha’ that translates as “Happiness on top of Nakerd mountain”
The Cao Dai Temple was finished in 1955 when the Cao Dai Army was formed following the Japanese occupation of Indochina. Caodaists believe that all religions are ultimately the same and seek to promote tolerance throughout the world.
The Lord Buddha, Jesus Christ, Muhammad and Confucius, in addition to Joan of Arc and Julius Cesar are all honoured at this temple.
There are nine hierarchies of worship including a pope, cardinals and archbishop with festivals, rituals and prayer all practised regularly. The temple is similar in design to a Christian Cathedral featuring side aisles and an altar, as well as a long central nave, all positioned as they would be in a Christian Church, there is even a high dome decorated with clouds and saints.
The main focal point is a Divine Eye symbolising God which has the Ying and Yang icon in its pupil. Ceremonies take place daily with two services accompanied by musicians and a choir singing in English to traditional Vietnamese music.
Mariamman Hindu Temple is a sacred Hindu Temple dedicated to the goddess of the Rain ‘Mariamman’. This temple was built in the late 19th century by traders coming from India and has been well preserved. This complex is the only Hindu temple in Saigon and is believed to have miraculous powers giving luck and wealth to its visitors.
The outer wall of the Temple has a collection of interesting statues of different gods and goddesses like Mariamman, Vishnu, Brahma and Ganesha. The main hall of the complex (The Rajagopuram) stands twelve metres tall and inside you find a well-maintained statue of Mariamman flanked by her protectors ‘Maduraiveeran’ and ‘Pechiamman’.
If you would like to enter the Mariamman Hindu Temple than do not forget to take of your shoes and dress appropriately. To favour the goddess of the rain you can also take some offerings such as joss sticks, jasmine, lilies and gladioli. These can be bought in front of the entrance. In the near vicinity of this temple, you can also find Ben Thanh Market. Entrance to the temple is free of charge and can be visited from 07:00 – 19:00.
Ho Chi Minh City’s Bitexco Financial Tower & Sky Deck stands 262 metres high at the centre of the city’s business district and offers visitors an unparalleled city view from its Sky Deck.
Designed by renowned American Architect Carlos Zapata, this 68-storey tower houses offices, shops, restaurants, and a helipad. CNNGo recently ranked the building fifth in their listing of the world’s 20 most iconic skyscrapers.
The structure also received an ‘Excellence in Structural Engineering’ award from NCSEA in 2011 and is currently the 124th tallest building in the world. The main attraction at the tower is the Sky Deck where visitors can enjoy dramatic views across the bustling city below.
Sky Deck visitors are accompanied by an English-speaking guide and can also enjoy interactive touch screen fact boxes delivering information on points of interest regarding city landmarks seen from above.
Reunification Palace was the base of Vietnamese General Ngo Dinh Diem until his death in 1963. It made its name in global history in 1975. A tank belonging to the North Vietnamese Army crashed through its main gate, ending the Vietnam War. Today, it's a must-visit for tourists in Ho Chi Minh City.
The palace is like a time capsule frozen in 1975. You can see two of the original tanks used in the capture of the palace parked in the grounds. Reunification Palace was the home and workplace of the French Governor of Cochin-China. It has lush gardens, secret rooms, antique furniture, and a command bunker. It's still in use to host important occasions in Ho Chi Minh, including APEC summits.
The Reunification Palace has five levels. The basement features tunnels, a war room and telecommunications centre. The war command room has original maps on its walls. Period telecommunications equipment are also on display. Its adjoining basement rooms display war propaganda materials. On the third floor, there's a card playing room while the fourth houses a casino. Reunification Palace's rooftop terrace is fitted with a heliport.
The Saigon Opera House in Ho Chi Minh is an elegant colonial building at the intersection of Le Loi and Dong Khoi Street in District 1, very close to the famous Notre Dame Cathedral and the classic Central Post Office. The restored three-storey 800-seat Opera House was built in 1897 and is used for staging not only opera but also a wide range of performing arts including ballet, musical concerts, Vietnamese traditional dance and plays. Performances are advertised around the building and information can be found in the state-operated tourist information centre close by.
The exterior has the appearance of polished pearl and makes a great place to photograph – especially at night when bathed in a soft, orange light. The entrance is through a vaulted archway that is kept in immaculate condition; inside, expect swathes of red velvet, classical friezes and hardwood floors. Although the official name of the building is The Municipal Theatre of Ho Chi Minh it is by far more commonly known as the Saigon Opera House and after the restoration work in 1995, the building is just as it was at the turn of the 19th Century.
Saigon Notre Dame Cathedral, built in the late 1880s by French colonists, is one of the few remaining strongholds of Catholicism in the largely Buddhist Vietnam. Located in Paris Square, the name Notre Dame was given after the installation of the statue ‘Peaceful Notre Dame’ in 1959.
In 1962, the Vatican conferred the Cathedral status as a basilica and gave it the official name of Saigon Notre-Dame Cathedral Basilica. Measuring almost 60 metres in height, the cathedral’s distinctive neo-Romanesque features include the all-red brick façade (which were imported from Marseille), stained glass windows, two bell towers containing six bronze bells that still ring to this day, and a peaceful garden setting in the middle of downtown Ho Chi Minh City District 1.
The Central Post Office in Ho Chi Minh is a beautifully preserved remnant of French colonial times and perhaps the grandest post office in all of Southeast Asia. Located next door to Notre Dame Cathedral, the two cultural sites can be visited together and offers visitors a chance to imagine life in Vietnam during the times of the Indochinese Empire. The building was designed by Alfred Foulhoux and features arched windows and wooden shutters, just as it would have in its heyday in the late 19th Century.
The Central Post Office in Ho Chi Minh was constructed between 1886 and 1891 and once inside, the looping arches, intricately designed marble floors and antiquated telephone boxes all serve as a reminder of the importance the post office played in days before email and mobile phones. Although the architecture is distinctly French, the large portrait of Ho Chi Minh hanging high above everyone at the far end of the building reminds everyone we are definitely in Vietnam. Painted onto walls overhead are two maps of the region; one of them showing the telegraph lines that crisscross Vietnam and Cambodia and the other displaying a map of the Saigon region in 1892.
Although the experience is a fascinating glimpse into history, the fact that this is still a functioning post office makes the experience even sweeter, and we encourage everyone to send a letter or postcard from here – it’s a piece of living history where even the old fashioned glue pots are still in use for sticking stamps to letters. There are two wings branching out from the main office, selling souvenirs, postcards and lacquerware but the prices are inflated and the same products can probably be found elsewhere for a better price.
Emperor Jade Pagoda, also known as Tortoise Pagoda, is one of the five most important shrines in Ho Chi Minh City.
Built at the turn of the 20th Century by a community of Cantonese who migrated from Guangzhou province in Southwest China, this pagoda is a fine representation of Mahayanist branch of Buddhism that is practised widely in Vietnam.
In the main hall, the Emperor Jade Chua Ngoc Hoang or the 'God of the Heavens' reigns supreme. Aided by two assistants, the Emperor decides who can enter this higher realm. Those who don't pass this gate will meet with the formidable 'God of Hell', on the left, who will send sinners to one of the 10 levels of hell. Life in purgatory is magnificent if somewhat gruesomely represented by the intricate carvings on the temple wall, depicting different kinds of punishments that await transgressors.
In a different hall, the goddess of fertility Kim Hua, surrounded by figures of women and small children, blesses childless couples who pray for an offspring here. The goddess of mercy Kuan Yin, who forms a very important part of any Taoist temple, has an altar in a room on the top floor.
Emperor Jade Pagoda is a living and working shrine very much in use by the locals who come here to prayer or make votive offerings of flowers and light candles and joss sticks. With worshippers coming and going, the temple can get busy and feel a little cramped. Its dimly lit, the narrow passageways filled with smoke lend an atmospheric feel to the place, adding to its charm.
Wat Preah Keo Morakot (Silver Pagoda) is located in the southern portion of the Royal Palace complex. The pagoda was formerly known as Wat Uborsoth Rotannaram because it is where the King worshiped, prayed and practiced every Buddhist Silas Day. In the additional, the royal family and officials also held Buddhist ceremonies there.This pagoda has no monks. However, this Majestic King Norodom Sihanouk lived there for one year when he entered the monkhood on July 31, 1947. Because the pagoda has no monks, visitors usually refer to it as Preah Vihear Preah Keo Morakot. When the King celebrates Buddhist ceremonies, monks from other pagoda such as Wat Unaloam and Wat Botumvattey are invited to attend the ceremonies. Preah Vihear Preah Keo Morakot was built between 1892 and 1902, during the reign of King Norodom, but at that time it was constructed of wood and brick. Its design is base on Cambodian architectural style. Then Banhchos Khan Seima ceremony was held on Feb 5, 1903.
There are 1,650 art objects housed in this temple. Most of them are Buddha figures. They are made of gold, silver, bronze and other valuable materials. Some are decorated with diamonds. They are gifts from the King, the royal family, dignitaries and other people who worship at Preah Vihear Preah Keo Morakot, where they pray for peace and prosperity, for happiness and for the preservation of Cambodian cultural heritage for the next generation. In front of the throne, site a Buddha statue made of gold, weighing 90 kilograms (about 200 pounds) and decorated with 2,086 diamonds. The biggest diamond is on the crown. It is 25 millimeters. This statue was commissioned in 1904 by King Sisowath, following the suggestion of King Norodom. King Norodom said, after his body was cremated the gold casket should be melted to make Buddha statue representing Preah Srei Araymetrey. This Buddha statue is named Preah Chin Raingsei Rachik Norodom.
Cambodia’s Royal Palace complex was begun by King Norodom I (ruled 1860-1904) in 1886, when the capital was moved to Phnom Penh. Most buildings were completed before World War I, with involvement by French administrators and Thai designers and architects. French influence can be seen in the formal gardens which enhance the palace, and there are some European-style buildings on the grounds. Now Royal Palace is a home to His Majesty Preah Bat Samdech Preah Sihamoni, King of Cambodia.
Royal palace has four gates. The eastern Victory Gate leads directly to the entrance of the throne hall and is used only by royalty and VIPs. The northern or funeral gate is only opened after the death of a monarch. After being embalmed, the monarch’s body is kept in state at the palace for three months, with the face hidden by a one-kilogram solid gold mask, before being taken out via this gate. The west or executing gate was used by condemned prisoners exiting the palace to be killed. The southern gate is reserved for use by commoners and it is through this gate the public reaches the Silver Pagoda.
At the top of palace’s throne hall, note the four pale, almost clown-like faces, which represent the all-seeing king. The hall itself is painted vivid yellow, a symbol of Buddhism, and white, for Hinduism, the two main faiths of Cambodia until they were combined into one by Jayavarman VII in the 12th century. The central door of the five at the front of the throne hall are reserved for royalty and VIPs. Inside, note the 1913 ceiling mural telling the story of the Ramayana. The thick carpet supplied by China in 1993 matches the lotus-bud floor tiles.
The National Museum of Cambodia houses one of the world's greatest collections of Khmer cultural material including sculpture, ceramics and ethnographic objects from the prehistoric, pre-Angkorian, Angkorian and post-Angkorian periods.
The main activities of the National Museum of Cambodia include exhibiting, safeguarding and promoting understanding of Cambodia’s cultural and artistic treasures. Keeping objects safe and working to ensure the repatriation of pieces stolen from Cambodia are important aspects of the museum’s work, particularly as looting and illicit export of cultural material are a continuing concern. In addition, the Museum strives to engage its visitors through its exhibitions and to fulfil its role as an integral part of the community. The Museum believes that Cambodia’s cultural heritage is of great value and can provide a source of pride and identity to the Cambodian people who have lost so much in recent decades. The availability of multilingual Museum tour guides and Publications, as well as the Museum’s public library, all serve to increase the accessibility of the collection both for local and international visitors.
The Sailendra dynasty built this Largest Buddhist monument in the world between AD 780 and 840. It was built as a place for glorifying Buddha and a pilgrimage spot to guide mankind from worldly desires into enlightenment and wisdom according to Buddha.
Settled on a hillside plateau, overlooking Prambanan temple complex and with a view to Mount Merapi behind Prambanan Temple complex, lie the remains of a once grand palace. The palace (kraton) is named Ratu Boko after a King Boko of local folklore, but the real owner of the palace is more likely to have been a king of a local dynasty.
Bangkok’s Sukhumvit Road and the surrounding district is one of the best known localities in the Thai capital. Unlike some districts in the city you won’t find beautiful temples or palaces here; Sukhumvit Bangkok is better known for its Westernised feel and consists of bars, restaurants and shopping malls that you’ll find alongside sois that are filled with even more bars (salubrious and otherwise) and massage parlours. The sex trade is difficult to ignore with prostitutes almost everywhere you look, and you wouldn’t come to Sukhumvit Road for the traditional Thai culture, but even so, it’s one of the most visited neighbourhoods in the city. So why the interest? Read on to discover our recommendations for amazing places to visit on Sukhumvit Road in Bangkok.
There are few places anywhere on earth to match the splendour of Angkor Wat. The temple is one of the largest monuments to religion ever built and is truly one the wonders of the world. Believed to have been constructed as a temple and mausoleum for King Suryavarman II at the peak of the Khmer empire in the first half of the 12th century, Angkor Wat is probably the best-preserved of the Angkorean temples. As with other Angkorean temples and walled cities such as Angkor Thom, the central theme of Khmer architecture revolved around the idea of the temple-mountain.
Angkor Thom is undeniably an expression of the highest genius. It is, in three dimensions and on a scale worthy of an entire nation, the materialization of Buddhist cosmology, representing ideas that only great painters would dare to portray.
Angkor Thom, the last capital of the Khmer Empire, was a fortified cit enclosing residences of priest, officials of the palace and military, as well as buildings for administering the kingdom. These structures were built of wood and have perished but the remaining stone monuments testify that Angkor Thom was indeed a "Great City" as its name implies. Temples inside the walls of the city described are Bayon, Phimeanakas, Baphuon, Terrace of the Elephants, Terrace of the Leper King, Prah Palilay, Tep Pranam and Prasat Suor Prat.
Symbolically, Angkor Thom is a microcosm of the universe, divided into four parts by the main axes. The temple of the Bayon is situated at the exact center of the axes and stands as the symbolical link between heaven and earth. The wall enclosing the city of Angkor Thom represents the stonewall around the universe and the mountain ranges around Meru. The surrounding moat (now dry) symbolizes the cosmic ocean.
It is a testimony to the love of symmetry and balance which evolved its style....in pure simplicity of rectangles its beauty is achieved. It is a pyramid mounting in terraces, five of them ...Below Bak-Keng lays all the world of mystery, the world of the Khmer, more mysterious ever under its cover of impenetrable verdure.
Phnom Bakheng is located 1,30 meters (4,265 feet) north of Angkor Wat and 400 meters (1,312 feet) south of Angkor Thom.
Enter and leave Phnom Bakheng by climbing a long steep path with some steps on the east side of the monument (height 67 meters, 220 feet) In the 1960 this summit was approached by elephant and, according to a French visitor, the ascent was "a promenade classic and very agreeable.
Arrive at the summit just before sunset for a panoramic view of Angkor and its environs. The golden hues of the setting sun on this vista are a memorable sight.
Shrouded in dense jungle the temple of Ta Prohm is ethereal in aspect and conjures up a romantic aura. Fig, banyan and kapok trees spread their gigantic roots over stones, probing walls and terraces apart, as their branches and leaves intertwine to form a roof over the structures. Trunks of trees twist amongst stone pillars. The strange, haunted charm of the place entwines itself about you as you go, as inescapably as the roots have wound themselves about the walls and towers', wrote a visitor 40 years ago.
Ta Prohm is among the largest of the monuments in the Angkor complex, the inscription gives an idea of the size of the temple. The complex included 260 statues of gods, 39 towers with pinnacles and 566 groups of residences. Ta Prohm comprises a series of long low buildings standing on one level, which are enclosed by rectangular laterite wall (600 by 1,000 meters, 1,959 by 3,281 feet). Only traces of the wall are still visible. The center of the monument is reached by a series of towers connected with passages. This arrangement forms a ' sort of sacred way into the heart of the monument’; three-square galleries enclose the area.
The tenth century temple of Banteay Srei is renowned for its intricate decoration carved in pinkish sandstone that covers the walls like tapestry.
Banteay Srei is an exquisite miniature; a fairy palace in the heart of an immense and mysterious forest; the very thing that Grimm delighted to imagine, and that every child's heart has yearned after, but which mature years has sadly proved too lovely to be true. And here it is, in the Cambodian forest at Banteay Srei, carved not out of the stuff that dreams are made of, but of solid sandstone.
Not much remains of the once powerful 13th century East Java kingdom of Singosari. An unfinished temple and two giant statues that once stood guard in front of the palace are the only traces left of this great kingdom.
The Artist's House (The Artist's House) is a centuries-old house turned gallery in Thonburi, across the Chao Phraya River. Owned by Khun Chumpol Akkapantanon, it’s an excellent spot to escape from the city’s modern buildings and hectic traffic for a day.
Baan Silapin (and its neighbourhood) dates back to the 1800s. A boardwalk leading to the gallery is lined with shops, cafes, local restaurants, and a temple. You can also spot many unusual and human-sized statues painted in white, red and black sitting by the water.
The Artist's House has a tall, white stupa dating back to the Ayutthaya period standing in the backyard. You can see plenty of traditional paintings, masks and, puppets throughout the building. It’s most popular for hosting traditional Thai puppet shows, where intricately-made puppets are manipulated by artists dressed in black.
Shows take place on a small wooden stage every day at 2pm, except Wednesdays. It’s a good idea to call in advance as the theatre sometimes performs in other parts of the city, usually during special events.
Wat Arun, locally known as Wat Chaeng, is situated on the west (Thonburi) bank of the Chao Phraya River. It is easily one of the most stunning temples in Bangkok, not only because of its riverside location, but also because the design is very different to the other temples you can visit in Bangkok. Wat Arun (or temple of the dawn) is partly made up of colourfully decorated spires and stands majestically over the water.
Wat Arun is almost directly opposite Wat Pho, so it’s very easy to get to. From Saphan Taksin boat pier you can take a riverboat that stops at Pier 8. From here, a small shuttle boat takes you from one side of the river to the other.
Wat Saket in Bangkok Old Town is an Ayutthaya-era shrine with a gleaming gold chedi in Bangkok. Also called the Golden Mount, it occupies an 80-metre-tall man made hill that was built during the reign of King Rama III. The temple welcomes worshippers year-round, though it’s busiest during its annual temple fair in November, during Loy Krathong. The temple grounds have mature trees and typical Buddhist structures such as a main prayer hall, ordination hall and library.
Wat Saket was the capital's crematorium and the dumping ground for some 60,000 plague victims in the late-18th century. At the base of the Golden Mount, you’ll find an unusual cemetery covered in vines and overgrown trees. It emits a rather spooky out-of-era vibe. Once you arrive at the top of Wat Saket, you’ll be surrounded by a wall of bells and panoramas of Bangkok Old Town.