A must-see for tourists following the “Inca trail”; this is an oasis of shade in the middle of the desert. Inhabited by communities from Atacama, its easy-going pace is only interrupted by religious festivities which, depending on the patron saint, include confetti, flour or algarrobo drinks (fermented drink made from the pods and seeds of the algarrobo tree).
Try the typical food of the north and don’t forget to visit the San Francisco Church, built in the 1600s. It is the oldest church in Chile and was built using millennial indigenous techniques. Go in and marvel: it is made out of mud and cactus wood.
As the seat of the Roman Catholic Church in Bolivia, the Metropolitan Cathedral of Sucre (or Catedral Metropolitana) is of great importance to the deeply religious city. Construction started on what was then the Cathedral Church of La Plata on June 27, 1552. Works would not fully complete until 260 years later, in 1712. What began as a Renaissance design gradually evolved, during this time, to include baroque and mestizo baroque features.
Inside, the expansive white nave is beautifully lit by the sunlight which filters through the many stained glass windows. It is decorated with crystal chandeliers and embellishments in gold and Potosi silver. The walls are lined with large oil paintings, by the artist Montufar, depicting the martyrdom of the apostles. The pews are hand-carved, as are the choir chairs which are additionally brightly-painted and finished in velvet. The white, gold-trimmed, pulpit features an angel in old-fashioned Spanish military clothing. The altar is crowned by a silver crucifix known as the Cross of Carabuco.
The so-called Cristo de La Concordia is a colossal statue located in the city of Cochabamba- Bolivia, Since the year 1987 It is part of the tourist attraction of the city. The image is considered to be the world's largest Jesus statue. Given its dimensions, the image is visible from almost anywhere in the city. The dimension of the body of the statue from the feet to the top of the head is of 34 meters. The circular base or pedestal measures 6 meters. In total the Colossus overcomes them 40 meters.
The view at the top is incredible beauty to see the panorama of the city of Cochabamba in all its glory, overlooking the laguna Alalay to the South side and to the back of the statue, Sacaba municipality.
At the top of the hill there is a viewpoint and various services that are offered to travelers as taking pictures, display with larga-vistas, Kiosk, meals, etc.
At the base of the Christ is a small museum that displays exhibition of photos and characteristics of the work environments. From here also begin the stairs that spiral as a fairly narrow, They allow to climb level by level to the interior of the statue up to the height of arms. The interior of the statue are small windows from which you can see the city from the top and taking pictures.
The Arequipa Peru Temple site is located just three miles north of the city center near the entrance to the quiet village of Carmen Alto. The land stands on a bluff rising from the Chili River and surrounded by breathtaking pastures and mountain views including the prominent volcano Misti.
The Cathedral of Our Lady of Loreto is located opposite the Plaza Sarmiento, between Moreno and Lavalle streets. It is one of the oldest in the city and still retains its original architectural structure despite having undergone several modifications.
The original cathedral located in the Old Town was destroyed by an earthquake in 1861. Its replacement was planned for the New Town opposite the Plaza Independencia, but after construction began it had to be demolished, targeting the land to the construction of another building.
Mr. Gustavo Wulff, German saltpeter and coal trader, as well as maritime transporter, migrated to Chile in 1881. In 1904, he bought from Dr. Teodoro Von Schoeders 1,260m2 in front of Cerro Castillo (Castle Hill), in Viña del Mar where he had a house built and ready in 1908.
At the beginning of XIX century it was property of Juan Antonio de la Carrera and his wife. He sold these lands to the Portuguese Merchant Francisco Salvador Alvarez in 1840, and he built here his house.
Named one of the World’s Most Scenic Cemeteries by CNN, Santiago’s sprawling Cementerio General is definitely worth a visit. Spread over 210 acres (85 hectares) just North of the city center in the Recoleta neighborhood, this lavish and expansive cemetery is a history enthusiast and explorer’s dream.
The city of Rosario was marked by a historical fact whose relevance transcended the local context, setting a landmark on national history: the hoisting of the National Flag created by Manuel Belgrano, on the cliffs of the Paraná River in February 27, 1872.
This significant event filled the people of Rosario with so much pride that they slogged away at raising a monument in commemoration of such episode.
Today, Rosario has the responsibility of showing the world the National Monument to the Flag, unique in its kind, planted on the historical cliffs of the Paraná, those which witnessed the birth of the colors of our motherland.
The Cathedral of Lima in the city’s historic centre is Lima’s most iconic building and home to the best museum of religious art. It is also known for being home to the tomb of Spanish conquistador, Francisco Pizarro. The main church of Peru dates back to 1535 when Francisco Pizarro first laid the foundation for the church which would serve the new Spanish colonists. The temple was inaugurated in 1540 and elevated to the status of cathedral in 1541 when the Lima diocese was formed.
The new design included the two neoclassical bell towers the structure is recognized by and the main altar. Other renovations came in the 19th century and after the earthquake of 1940.
The Cathedral of Lima was visited by four saints of the colonial era including Santa Rosa de Lima, San Martin de Porres, San Juan Macias and San Francisco Solano. In 1985 Pope John Paul II visited in a historic first, and he returned in 1988.
With all the phases of construction led to a mix of architectural styles, as in most of Lima, including neoclassical, baroque and gothic.
The Plaza Mayor or Plaza de Armas (as it was known until 1990), is the oldest public place in Lima. In 1535 the conquistador Francisco Pizarro founded on the area of an existing indigenous settlement the city of Lima. He designed the main square in the central part of the future city Lima with all important institutions built around it.
On the north side of Plaza Mayor is the Palacio de Gobierno, the presidential residence and in colonial times the location of Francisco Pizarros house - later the Palace of the Viceroys. On the east side, you find flanked by the Archbishop's Palace the Cathedral of Lima. The Palacio Municipal is located on the west side of Plaza Mayor. Depending on their importance and rank wealthy and influential immigrants were allowed to build their mansions on properties near the Plaza Mayor. In colonial Lima, the main square was the economic centre of the city. The arcades in front of the main buildings, the small today called Pasaje Olaya and other adjoining streets were full of all sorts of shops. The plaza housed for a long time Limas big food market.
The government palace in Lima exists since the year the city was founded in 1535, but in different forms. It was built in a Huaca, a sanctuary of the chief Taulichusco in the Rímac Valley. This valley was one of the few places that, due to the irrigation systems of the indigenous population, is very fertile and, therefore, suitable for a larger population. Over the centuries, the government palace in the “City of Kings” was rebuilt again and again. The first building, a two-story adobe building, was built by the city’s founder, Francisco Pizarro, first for him. After Peru became a viceroyalty in 1542, the “Casa de Pizarro” became a government palace. Pizarro’s shield still adorns the main portal. The current building dates back to the 1930s and is preserved in a colonial style, but it has older and newer elements, typical of the representative buildings of Peru, which have been regularly damaged by earthquakes and renovated in their respective architectural styles. The Government Palace is located in the Plaza Mayor, the main square of Lima. Share the exclusive place with, among other things, the cathedral and the episcopal palace. It is recognizable by the great Peruvian flag that blows over the portal and the intricately forged fence that surrounds the terrain.
According to British newspaper The Guardian, El Ateneo Grand Splendid is the second best bookstore in the world. It preserves the splendour and elegance of the former Gran Splendid theatre/cinema, which was designed by architects Peró and Torres Armengol.
Located in the Recoleta neighbourhood, El Grand Spendid theatre opened in 1919 and immediately became a beacon of porteño culture, hosting ballet, opera, and the first "talkies" shown in Buenos Aires. The national Odeon record label - now owned by EMI - was based here, and singers such as Carlos Gardel recorded on the premises.
The Colón theatre is considered one of the best opera houses in the world, together with La Scala in Milán, the Opera Garnier in Paris and the Royal Opera House in London, and is renowned for its acoustics and architecture.
Designed by Francesco Tamburini, Victor Meano and Jules Dormal, and built over 20 years, the theatre opened in 1908 and went on to host some of the most important conductors, singers and dancers of the twentieth century, including Igor Stravinsky, Herbert von Karajan, Daniel Barenboim, Maria Callas, Luciano Pavarotti, Plácido Domingo, Rudolf Nureyev, Julio Bocca and Maximiliano Guerra.
The iconic Obelisco de Buenos Aires stands at the intersection of two of the city’s most important streets: Avenida Corrientes and Avenida 9 de Julio, the widest street in the world with an incredible 16 lanes. The monument was erected in 1936 to commemorate the first foundation of the city by Pedro de Mendoza in 1536, and marks the sport where the Argentine national flag was raised for the first time. Measuring 67.5 metres in height, the obelisk was was designed by Argentine modernist architect Alberto Prebisch, who also designed the Gran Rex Theatre, which can be found nearby at Corrientes 857.
The Plaza de Mayo is the oldest public square in Buenos aires, and has been the scene of many of the most important events in the city's history, from the second founding of the city in 1580, through the revolution of independence, to more recent political demonstrations.
The square is named after the Argentine revolution, which began on May 25, 1810. Around the square are several important buildings: the Cabildo, the Metropolitan Cathedral, where Pope Francis conducted mass for 20 years, the Casa Rosada, seat of the national government, the national revenue office (AFIP), the national bank and the intelligence secretariat.
Dominating the Plaza de Mayo, the Casa Rosada - or pink house - is the seat of the Argentine national government and houses the president's office.
Witness to much of the city's history, it was from the balconies of the Casa Rosada that Juan and “Evita” Perón addressed the masses during the late 1940s and early 1950s. The central archway was designed by Italian architect Francisco Tamburini, who was also responsible for the original design of the Colón Theatre, and was completed in 1890.
Located in La boca, the Caminito (little path, in Spanish) is a street museum of colourful painted houses typical of the immigrant dwellings that came to chracterise this portside area towards the end of the 19th and start of the 20th century.
The Caminito followed the route of an old stream that once flowed into the Riachuelo, and later, after the river dried up, formed part of a railroad route. After the closure of the railroad, the street was largely abandoned until in the 1950s a group of neighbours decided to regenerate the area and local artist Benito Quinquela Martín began using the tenements as his canvas.
Today, there are several works by Argentine artists incorporated as part of the street museum and the Caminito has become a favourite with visitors to the city. Several restaurants offer tango and folk dance shows and street fills with artists offering original crafts and paintings.
Around the middle of 1980, the old summer house belonging to the traditional family Ortíz Basualdo became the head office of the Juan Carlos Castagnino Municipal Art Museum. The magnificent village, today cultural heritage of the City of Mar del Plata, is located on the Stella Maris hill and surrounds the building designed by architects Louis Dubois and Paul Paters.
It was built by the Basualdos in 1909 and remodelled in 1919, but keeping its classical style from the early 20th century. The building is reminiscent of the French Castles from Loira, which is reflected in each room, decorated by the Belgian designer Gustave Serruier-Bovy, who stamped his own art nouveau style on them.
The Afro Brasil Museum is a public institution under the Secretary of Culture of the State of São Paulo and administered by the Afro Brasil Museum Association - Social Organization of Culture.
Located in Padre Manoel da Nóbrega Pavilion, within the most famous Park of São Paulo, Ibirapuera Park, the Museum preserves, in 11 thousand m2 a collection with more than 6 thousand works, including paintings, sculptures, prints, photographs, documents and pieces. ethnological works by Brazilian and foreign authors, produced between the eighteenth century and today. The collection encompasses several aspects of the African and Afro-Brazilian cultural universes, addressing themes such as religion, work, art, slavery, among other themes in recording the historical trajectory and African influences in the construction of Brazilian society.
The Museu de Arte de São Paulo (Masp) was born in 1968, idealized by the journalist Assis Chateaubriand and directed by the marchand Pietro Maria Bardi.
Masp was designed by the architect Lina Bo Bardi and erected to overlook São Paulo’s downtown area and the Serra da Cantareira. The building has a rectangular shape, suspended by four columns with a gap of 74m between them, open as a plaza and used by residents and tourists.
Masp’s mission is to serve education, and the museum is very active in the cultural scene of the city, offering common spaces for its residents, like the library, mezzanine and auditorium. Masp also hosts educational projects. The main objective is for people to experience art.
The history of the Cathedral of São Paulo goes back in time to 1589, when it was decided that a main church (the Matriz) would be built in the small village of São Paulo.
The Cathedral is the largest church in the city of São Paulo: 111 metres long, 46 metres wide, with the two flanking towers reaching a height of 92 metres. The Cathedral is a Latin cross church with a five-aisled nave and a dome that reaches 30 metres over the crossing. Although the building in general is Neo-Gothic, the dome is inspired by the Renaissance dome of the Cathedral of Florence.
The cathedral’s organ, built in 1954 by the Italian firm Balbiani & Rossi, is one of the largest in Latin America. It has five keyboards, 329 stops, 120 registers, and 12,000 pipes, the mouths of which display hand-engraved reliefs in Gothic style.
To appreciate the diversity of the portuguese language, to celebrate it as a paramount and founding element of our culture and to bring it closer to its speakers worldwide.The Museu da Língua Portuguesa was born aiming at this target.
The inauguration took place on March the 20th , 2006. The chosen location to accommodate the Museum was the Estação da Luz, situated in the heart of São Paulo – city with the largest Portuguese-speaking population in the world – and a site of historical importance to the state capital and to Brazil. The station was one of the main crossing points for immigrants arriving in the country and, to this day, a dynamic place that provides contact and interaction among several cultures and social classes, sheltering accents from all parts of Brazil.
During almost 10 years of its operation, the Museu da Língua Portuguesa welcomed 3.931.040 visitors, who have lived the experience of connecting themselves even more with the language, its origins, its history, its influences and the variations it takes within the population’s everyday life.
Beautiful visual arts museum specialized on brazilian artists of the last 200 years. Located on the Liceu de Artes e Ofícios de São Paulo building, the Pinacoteca was open in 1905 and is the oldest art museum in the city of São Paulo. Its art collection has approximately 1900 artistic, bibliographic and archival items.
The art gallery displays works such as São Paulo by Tarsila do Amaral and Mestizo by Candido Portinari. In recent years, the museum received important exhibitions, such as Ron Mueck, seen by 402 thousand people.
Listed as a historic site, the Parque da Luz and the museum’s garden displays about 50 sculptures of contemporary artists, such as Victor Brecheret Lasar Segall and Amílcar de Castro.
The Arena, also known as Itaquerão, is located in the East Zone of São Paulo, Brasil's most populated city. The football stadium was built for the 2014 FIFA World Cup and can hold 48 thousand fans. With 89 boxes, 59 stores, 15 elevators, 2,700 parking spaces, two restaurants, an auditorium and two sports bar, the Arena has a daring architectural project, signed by the architect Aníbal Coutinho and awarded in 2011 as the best architectural project of Brasil.
With a rectangular format and two side stands, the Arena makes it possible for fans to get closer to the field. On the East front, there is a LED panel of 170m x 20m, and on the West front, there is a glass panel made of 1350 pieces. The Arena has two large screens of 30m x 7.5m, the largest in the world in a football stadium.
Located among hills and an exuberant vegetation, this city invites you take a walk, try its seafood restaurants, visit its arts and crafts shops and be taken away by the colorful “palafitos” (houses built on stilts) along its promenade, a classical Chilote postcard.
The Cathedral of Brasilia was the first monument built in the city and its cornerstone was set in September 1958. The structure was completed by 1960, a time when only the circular area was visible, measuring 70 meters of diameter and working as foundation for 16 concrete columns weighing 90 tons.
The Cathedral was inaugurated in May 1970. Consecrated architect Oscar Niemeyer designed the church, as well as the Alvorada Palace, the National Congress, the Planalto Palace and the Federal Supreme Court buildings, among others.
The church has a peculiar beauty. Held by 16 arched pillars that form a thorn crown, the central nave is covered by an immense stained glass panel projected by Marianne Peretti, made out of glass fiber pieces in blue, green, white and brown.
Inside the church, three huge angel sculptures by Alfredo Ceschiatti float from the ceiling suspended by steel cables. The baptistery is covered in tiles painted by Athos Bulcão. The Via Sacra is a piece of work by Di Cavalcanti and the image of Our Lady Aparecida is a replica of the original, this one located in Aparecida, in the state of Sao Paulo.
Designed by Oscar Niemeyer and Lucio Costa, the Praça dos Três Poderes is one of Brasília’s main attractions and headquarters of the three powers of State: the Palácio do Planalto (Presidential Palace), the Supremo Tribunal Federal - STF (Supreme Court) and the Congresso Nacional (National Congress).
The Três Poderes cultural center, subject to the local Cultural Secretary, manages the activities of the three cultural spaces of the plaza. They are: the Museu Histórico da Cidade (the city’s historical museum that contains historical records on the city’s construction), the Espaço Lucio Costa (with an enormous scale model of Brasília) andthe Panteão da Pátria (with art works honoring national heroes).
At the Praça dos Três Poderes, you can also find monuments designed by renowned international artists such as Os Candangos, by Bruno Giorgi; A Justiça, by Alfredo Ceschiatti, located in front of the Supreme Court; O Pombal e a Pira da Pátria, by Niemeyer; and the Mastro da Bandeira, with the largest national flag in the world.
Most famous postcard of the capital city of Minas Gerais, the church is a rare gemstone located at the rim of the Pampulha Lagoon. Also known as Pampulha Chapel, the São Francisco de Assis Church opened its doors in 1943, but it was only truly recognized by Church authorities 14 years later, in 1959, due to some debate regarding its unorthodox shape.
Considered avant-garde, the Church is a small masterpiece of the Pampulha Architectural Complex. It was designed by architect Oscar Niemeyer and its interior houses the famous Via Crucis, consisting of 14 panels of Cândido Portinari.
The Church also features the Burle Marx gardens, the bronze bas-relief sculptures carved by Alfredo Ceschiatti, and an abstract panel created by Paulo Werneck. The exterior is decorated with more beautiful Portinari panels, made in white and blue tiles, depicting Saint Francis next to a skinny dog, instead of the traditional wolf.
The originality and boldness of Niemeyer consolidated this church as a true modern age landmark. It was the first Brazilian church with modernist traces, and its vertical and horizontal curves mesh together in unique and perfect harmony.
The Praça da Liberdade is not just something you see on a postcard of Belo Horizonte. Throughout its 100-year history, it has been the scene of important political decisions, social movements and even cultural, leisure and sporting events.
Since 2010, the square has been an additional source of pride. Following the relocation of the state government offices to Cidade Administrativa, the buildings were converted into museums and spaces that now make up the Praça da Liberdade Cultural Circuit. One of its points of difference is the institutional management of the spaces, which permits a greater connectivity and diversity of cultural programmes. The complex is supported by the Sérgio Magnani Cultural Institute in partnership with the Government of Minas Gerais.
Whoever visits the Praça da Liberdade Cultural Circuit can also visit three other spaces that are within easy reach: the Minas Tênis Culture Centre, Casa Una Culture Centre and the Belas Artes Cinema. In addition to being of great symbolic and architectural value to the city, the area is home to several places that exhibit the vast majority of Minas Gerais's cultural diversity and art that is known worldwide, all within a few blocks.
Built in 1862 and promoted to main church a year later, the Saint Anthony of Jacutinga Cathedral is in the middle of busy Nova Iguaçu's downtown area. Festivities in honor of the city's patron saint are held there, in June.
Preserved and in full activity, Rio D'Ouro Reservoir, built in 1880, is an architectural jewel of Nova Iguaçu, located on a natural site covered by the Atlantic Rainforest. From its pavilion, there is a footbridge that crosses the reservoir and leads to a fountain made of cast iron designed by the French sculptor Albert-Ernest Carrier Belleuse. He was the designer of the torches of the staircase at the Paris Opera Theater as well as the professor of the acclaimed sculptor, Auguste Rodin.
Nymphs, carved in the foundries of Val D'Osne in France, guard the fountain adorned by twigs and the Brazilian coat of arms. With a sophisticated hydraulic engineering for the time of its implementation, Rio D'Ouro Reservoir is listed by INEPAC (State Institute of Cultural Heritage).
Maracanã has already been the scenery of the most important Brazilian soccer classic and earned historical moments of the international soccer. Monumental facts, like the thousandth goal of king Pelé, in 1969, also happened in the grass of the soccer Brazilian temple.
Maracanã had a big reform and had the total capacity to 78,838 supporters. The new Maracanã has been modernized and today fills international security items, logistic and sustainability. The use of solar energy and rainwater collection, reused in the 292 bathrooms and 4 dressing rooms, are important measures of economy and responsibility. More 360 security cameras keep the surveillance permanent of the stadium, that received two new ramps of access, besides the traditional Bellini and UERJ, beyond 12 escalators and more elevators, today, the total number is 17 of it.
New bars and snack bars give more comfort to the public, who are waiting for retractable chairs shared per colors and produced with certified material, with plastic bottle. Divided in five levels on the north, south, east and west sectors, Maracanã bets in divisions to facilitate the access and location of the supporters. Gate, sector, block, level, queues and chair are the subdivisions that will allow the supporters to localize their place with more comfort and more safety. There are also sits to obese, reserved area for people with special necessities and tactile floor for the visually impaired.