Tunis

The Cathedral of San Lorenzo is a beautiful church in Trapani raised to a minor basilica by Pope Gregory XVI , which is located in the historic center and is the main place of Catholic worship. http://www.typicalsicily.it/sicilia/Elenco/chiesa-a-trapani-duomo-di-s-lorenzo/?lang=en

The Regional Museum hosts numerous paintings, representing the artistic culture of the western Sicily between the XIII and the XIX century; sculptures, including those of the “gaginesca” school; craft cribs wood-made realised in the city of Trapani; jewels from the treasure of the Madonna of Trapani, traditional silvers and corals which were once mainly produced in Trapani; http://eng.libertylines.it/news-detail.php?id=86

The botanical garden, directed by the University of Cagliari and streched for 5 hectares. Currently the garden contains some 2000 species, predominantly of Mediterranean origin but with a good collection of succulents and tropical plants as well. http://www.cagliariturismo.it/en/places/places-of-nature-318/green-areas-16/botanical-garden-83

Designed in the 1960s to replace the Civic Theatre devastated by the bombing in 1943, Teatro Lirico (Opera House) offers high level concert seasons and cultural events. http://www.cagliariturismo.it/en/places/places-of-art-and-culture-319/theatres-272/teatro-lirico-opera-house-384

It features two permanent collections: Collezione d'Arte Ingrao (19th-20th century) and Collezione Sarda del Novecento (20th century Sardinian artists). It houses a library and a consultation area. http://www.cagliariturismo.it/en/photogallery/municipal-art-gallery-20

An artwork of imposing beauty that welcomes tourists and Palermitans who make an appointment every day on the steps of what is considered an inevitable stage of the city center. http://www.visitpalermo.it/it/attrazioni/teatro-massimo-416.html

A place of research and experimentation, identification and presentation of new dramas, elaboration and production of own works, promotion and dissemination of theater http://www.visitpalermo.it/it/attrazioni/teatro-libero-palermo-227.html

Built around the 1500s by architect Matteo Carnilivari, he took this name, as on one of the walls of the church was an end of the chain that closed the port of Cala. http://www.visitpalermo.it/it/attrazioni/chiesa-di-santa-maria-della-catena-152.html

The monastic building, which was founded in the 1500’s and has developed up to today, is an example of architectural integration throughout the periods, marked by multiple transformations. Today it is a UNESCO World Heritage Site. http://www.visitsicily.info/en/10cosea/catania/

Already UNESCO heritage in the city of Catania, it was originally erected in 1355, to be rebuilt after the tragic earthquake of Val di Noto, in the early 1700s. http://www.visitsicily.info/en/10cosea/catania/

It is the most important palace in the city. It represents, in fact, the most beautiful example of Catanese baroque architecture. http://www.visitsicily.info/en/10cosea/catania/

“Alghero Vecchia” is the charming old town, surrounded by seven great towers and the old walls that still stand at the sea edge and which date back to the Catalan-Aragonese conquests in the sixteenth century. The narrow cobbled streets and alleys of the Old Town are abuzz with people and activities until late at night. Summer and spring are the peak seasons when the whole city comes to life. The car-free zone of this historic centre is perfect for enjoying a leisurely stroll where you can find perfect gifts in the many small shops, sample local produce in the bars and restaurants and visit the old churches. The fifteenth century palaces, the Civic Theatre with its neoclassic façade, the cathedral and the sixteenth century bell tower of Santa Maria are all representative of a long Sardinian legacy and even the houses of the centre of Alghero stood through the bombings of the Second World War. The outer wall of the Old Town is part of a long walkway which stretches from one end of Alghero to another and provides a fabulous panorama of the Riviera which is most appreciated at sunset when you can admire the silhouette of the headland of Capo Caccia http://www.algheroconcierge.com/places-of-interest/0/4/17/the_old_town.aspx

The promontory of Capo Caccia, also known as the Sleeping Giant, is the undisputed symbol of Alghero, standing just north of the town’s bay. These sheer cliffs, known paradise for climbing lovers, drop to very deep water providing fantastic views of the coast. Not to be missed is the breathtaking panorama from the cliff in front of the island of Foradada. http://www.algheroconcierge.com/places-of-interest/0/4/18/capo_caccia__the_marine_park.aspx

This geological treasure is easily accessible by boat from the harbour of Alghero but if you prefer the exercise, you can brave the 656 steps of the Escala del Cabirol stairway from the top of Capo Caccia, 110 metres along the cliffside and down to the cave entrance. http://www.algheroconcierge.com/places-of-interest/0/4/19/neptunes_grotto.aspx

The National Archaeological Museum of Olbia is one of the places to see in the Sardinian commune. The exhibition area illustrates the history of the city of Olbia, the "happy city" of the Greeks, crossed by different civilizations, from the Phoenician, to the Greek, to the Roman. https://www.geoplan.it/luoghi-interesse-italia/monumenti-provincia-olbia-tempio/cartina-monumenti-olbia/monumenti-olbia-museo-archeologico-nazionale-di-olbia.htm

The devotion towards the patron martyr is expressed in the participation of the faithful in the period preceding the festivities, with the development of the novena at the Basilica dedicated to the Saint, and with the expectation of the same throughout the year. https://www.comitatosansimplicio.org/

The National Park covers - including land and marine areas - 20,180 ha, with a coastal development of 180 kilometers. La Maddalena, mother island and capital of the homonymous Archipelago, is the Park gateway. It is the one and only inhabited island, except for the village of Stagnali in Caprera Island and the settlements of Santa Maria. http://www.parks.it/parco.nazionale.arcip.maddalena/Epun.php

The House of Karamanli, or al-Qaramanli House, was built in the second half of the 18th century, during the reign of Ali Pasha Alqaramanli, and was used by Yousuf Pasha until his death. The house was restored during the early 1990s and became known as Tripoli Historical Exhibition. https://www.temehu.com/Cities_sites/Tripoli.htm

The castle was the seat of power in Tripolitania ever since the Turkish Pashas used it as their official headquarters in the 16th century, and remained so until recently when things began to change after the colonial wars at the start of the 20th century. https://www.temehu.com/Cities_sites/Tripoli.htm

The Old City (or Old Medina), with its labyrinthine dark lanes, is an exotic place to see, bustling with life and shoppers and oozing with rich aromas of spices, coffee, nuts, falafel and freshly-made sweets. https://www.temehu.com/Cities_sites/Tripoli.htm

The Path of the Gods links Agerola, a small village over the hills of the Amalfi Coast, to Nocelle, a fraction of Positano which is located on the slopes of Monte Pertuso. The name hints at the spectacle of the path: follow it in the direction that goes from Agerola to Nocelle so walking slightly downhill and get in front of the scenery of the Amalfi Coast and Capri. The Path of the Gods starts from Bomerano, fraction of Agerola. To reach Agerola there are Sita buses leaving from Amalfi, ask the driver for the stop Bomerano. From there follow the road signs that will take you at the entrance of the path. The Path of the Gods can also be reached from Praiano but you have to face a long flight of steps to go from sea level to 580 meters high to the pass of Colle Serra. https://www.livesalerno.com/path-of-the-gods

The Castel dell’Ovo is the oldest standing fortification in Naples. The castle’s name comes from a legend about the Roman poet Virgil, who had a reputation in medieval times as a great sorcerer and predictor of the future. As early as the twelfth century there were pre-norman fortifications erected on the remains of part of the villa of the Roman general Lucio Vicinio Lucullo, later transformed into a castle by Frederick II and expanded in the Angevin period, when the fortress took the name "Egg Castle" https://www.visitnaples.eu/en/attractions-and-places-in-naples/castles-in-naples/castel-dellovo

This noble semicircular piazza (19th Century) is enclosed on one side by the royal palace, on the other by the neoclassical façade of the church of San Francesco di Paola, built on the model of the Pantheon in Rome and prolonged by a curving colonnade. Two equestrian statues stand in front of the church: one, by Canova, depicts Ferdinand I of Bourbon, the other is of Charles III of Bourbon. The royal palace was built at the beginning of the 17th Century by the architect Domenico Fontana and has been remodelled several times. The façade retains more or less its original appearance. Since the late 19th Century the niches on the façade have contained eight statues of the most famous Kings of Naples. A huge staircase with twin ramps and crowned by a coffered dome leads to the apartments and the sumptuously decorated royal chapel. It was only after 1734 that royalty lived in the apartments. The richly ornamented rooms have retained their numerous work of art, tapestries, paintings, period furniture and fine porcelain. https://www.italyguides.it/en/campania/naples/piazza-del-plebiscito

Near the Gesú Nuovo church, there is the monumental complex of Santa Chiara, one of the most important buildings commissioned by the French Kingdom of Anjou for the Franciscan order. Built in 1340, it is a rare example of Medieval architecture in Napoli. The convent was to accommodate both monks and nuns in two separate buildings but at the same time depending on the same church. The church was then built in a simple Gothic style, with the typical Neapolitan yellow tufa. Unfortunately, the church has been reconstructed changing the original features into the Baroque style with marbles, polychrome stuccos and exorbitant decorative elements by Domenico Antonio Vaccaro between 1742 and 1769. Sadly, in 1943 the church was partially bombed during the second world war. It was decided that it would be rebuilt in its original Gothic style. It was reopened in 1953. Most of the antiques sculptures have returned to their original location, including the splendid tombs of the member of the Anjou family, like the monumental tomb of Robert of Anjou dated 1343, the tomb of Mary Valois, second wife of Robert, and his son's tomb. A small part of a fresco still remains from the medieval decoration attributed to Giotto (who stayed in Napoli between 1328 and 1333) and his workshop. The fine cloister outside the church is richly decorated with majolica tiles and it is a pure gem of the eighteenth century, designed by Domenico Antionio Vaccaro. He left the original medieval plan of the cloister but redesigning parts of it, adding two wide paths in the middle, the fine majolica decorations on the pillars with motif of vine shoots and wisteria twisting up, flowers, lemons while the seats are decorated with scenes of the city and country life in the eighteenth century. http://www.girlfromnaples.com/santa-chiara-church-and-cloister/

The Sansevero Chapel Museum in the historic heart of Naples is a jewel of the world’s artistic heritage. Here, baroque creativity, dynastic pride, beauty and mystery blend to create a unique and almost timeless atmosphere. With its masterpieces such as the famous Veiled Christ, renowned world over for the remarkable tissue-like quality of the marble, feats of virtuosity such as Disillusion, and enigmatic creations such as the Anatomical Machines, the Sansevero Chapel is one of the most impressive monuments that the human mind has ever conceived. A noble mausoleum, a temple of initiation, which admirably reflects the multi-faceted personality of its ingenious architect, Raimondo di Sangro, seventh Prince of Sansevero. https://www.museosansevero.it/the-sansevero-chapel/?lang=en

Originally the museum was an horse riding school, then the location of the University. The Archeological Museum was inaugurated in 1816 and nowadays it’s one of the most important museums of the world because of the quality and quantity of works exposed. http://www.visitnaples.eu/en/diario-di-viaggio/discover-naples/top-10-things-to-do-naples/

In 1738 Charles of Bourbon decided to transform his hunting lodge located in the wood of “Capodimonte” in a Royal Palace – Museum in order to host the Farnese Collection received from his mother. http://www.visitnaples.eu/en/diario-di-viaggio/discover-naples/top-10-things-to-do-naples/

Ercolano, known to many as Herculaneum, is just a few miles from Pompeii and 150 miles south of Rome, close to Naples. In many respects Ercolano is a smaller version of Pompeii, both are buried Roman cities that have been remarkably preserved when excavated. A lot of people prefer Ercolano to Pompeii as it is a much more compact size and has significantly less visitors. Both sites are managed by the same people and it is easy to visit both in one day using a combined ticket and the local train which connects both. Both sites are managed by the same people and it is easy to visit both in one day using a combined ticket and the local train which connects both. https://www.rometoolkit.com/whattodo/pompeii_ercolano.html

Amalfi Cathedral is a 9th-century Roman Catholic structure in the Piazza del Duomo, Amalfi, Italy. It is dedicated to the Apostle Saint Andrew. Predominantly of Arab-Norman Romanesque architectural style, it has been remodelled several times, adding Romanesque, Byzantine, Gothic, and Baroque elements. The cathedral includes the adjoining 9th-century Basilica of the Crucifix. Leading from the basilica are steps into the Crypt of St. Andrew. A wooden 13th-century Crucifix hangs in the liturgical area. Another crucifix, made of mother-of-pearl, was brought from the Holy Land and is located to the right of the back door. The High Altar in the central nave is formed from the sarcophagus of the Archbishop Pietro Capuano (died in 1214). Above the altar is a painting by Andrea dell'Asta of The Martyrdom of St. Andrew. The front facade was rebuilt in 1891 after the original one collapsed. It is of striped marble and stone with open arches that have lace detailing not commonly found in Italian sacred architecture while the tiled cupola is quite common amongst churches of the area. The tympanum's mosaics portray “The triumph of Christ” in a work created by Domenico Morelli and whose original designs are retained in the Town Hall. https://www.livesalerno.com/amalfi-cathedral

Among the first towns where it was discovered in the twelfth and thirteenth centuries the existence of the paper, if you want to take for granted the information contained in notarial deeds discussing of the existence of paper products, while not specifying whether these were imported from other places and traded in the above-mentioned places, there were the territories of the Maritime Republics: Amalfi, Pisa, Genoa and Venice who had warehouses both in Syria, both on the coast of Palestine, where they were precisely located the major centres for the production of paper. These republics also had intense trade relations with the East and they could learn from the Eastern art of making paper without too much difficulty, or it is possible that on board the galleys, which in medieval times shuttled between our coasts and the Holy Land to transport crusaders and merchandises, they are embarked "Magisters in art cartarum" which as skilled labour have introduced this type of work. Amalfi is the oldest of the Maritime Republics, as early as the ninth century had its warehouses in Palermo and Messina and Syracuse, where the Amalfitana is still present in local place names. Age-old remains the question on the primacy of paper in Italy and then in Europe and in contention are mainly Amalfi and Fabriano. https://www.livesalerno.com/paper-museum

Sitting high atop a promontory that offers stunning views of the Mediterranean and the dramatic coastline below, the Villa Cimbrone is the crown laurel of Ravello. Its origins date back to the 11th century, but the villa and the gardens were extensively renovated by a British nobleman, Lord Grimthorpe, in the early 20th century. With its expansive gardens and dramatic views, the villa is a popular place for weddings, honeymoons, and receptions. The villa is a private 5-star hotel (Hotel Villa Cimbrone), but the gardens are open to the public and it ranks, perhaps, as the most memorable sight on the Amalfi Coast. A century ago, shortly after it was renovated by Grimthorpe, the Villa Cimbrone became a popular retreat for London’s famed Bloomsbury Group, a circle of early 20th century intellectuals that featured Virginia Woolf and Lytton Strachey. Other noted guests, included Winston Churchill, author E.M Forster, and famed economist Maynard Keynes. D.H. Lawrence, the author of Lady Chatterley’s Lover, literally left his mark on the villa’s garden, when he and a friend decided to give the Statue of Eve a fresh, and unauthorized, coat of paint. https://www.ravello.com/attractions/villa-cimbrone/

Built by a wealthy merchant family in the 13th century, the villa has a rich and storied past. Boccaccio, one of the earliest authors of the Italian renaissance, wrote a story about the villa and its owner in his Decameron, which was published in 1353. In its prime, it was one of the largest and most expensive villas on the Amalfi Coast, and legends grew about hidden treasure on its premises. In the 14th century, the Rufolo family hosted banquets for King Robert II of Naples and other Norman royalty. The gardens and grounds of the Villa Rufolo are open year around and attract visitors from all over the world. Juxtaposed against the sea, the sky, umbrella pines, and the Church of the Annunziata below, the gardens, with their profusion of flowers, have a magical quality to them. https://www.ravello.com/attractions/villa-rufolo/

Built in the 11th century with support from the Rufolo family, the Duomo is a combination of Baroque and Romanesque styles. Dedicated to St. Pantaleone, the church has undergone extensive modifications and restorations over the past 900 years. The Duomo’s shining white façade dates back to the last major restoration in 1931. The Duomo’s bell tower, which dates back to the 13th century, shows Moorish and Byzantine influence. Today, the Duomo is primarily remembered for five attractions: The first is the bronze door, which was temporarily removed for restoration in 2010. Constructed in 1179 by Barisano da Trani, the door is of special interest because fewer than two dozen bronze church doors are still extant in Italy, three of them by Trani. The second item of special note is the pulpit, which is supported by six spiraled columns sitting atop marble lions. Across from the pulpit, to the left, is the Ambo of the Epistles that boasts two wonderful mosaics of Jonah and the Whale. The fourth area of special interest is the Chapel of St. Pantaleone the Healer, a 3rd century physician who was beheaded, on orders of the Emperor Diocletian, after he converted to Christianity. The Chapel has a small ampoule of the saint’s blood, which is said to liquefy every year on July 27th, the anniversary of his martyrdom. The chapel also has a silver bust of the town’s venerated saint. The final attraction is the cathedral's museum, which is accessible through a side entrance on the Via Richard Wagner. https://www.ravello.com/attractions/duomo/