Tetouan

Enjoy the visit to the brave cattle ranch of TORRESTRELLA in the Los Alburejos Estate of Alvaro Domecq. In the best theater imaginable, in the freedom of the Andalusian countryside, you will know a day in the life of these magnificent animals. The visit starts with a nice 700 meters walk discovering the fauna and flora of the andalusian countryside while you will see the bulls in freedom and the oxen. At the bull route, In the best environment you can imagine,open land, and seating in a comfortable grandstand you will discover the life of these wonderful animals: the brave bulls, the cows with the stallion bull and their calves, the mares and foals, the oxen, the riders and horses performing andalusian and classical dressage.

Bertemati Palace is located at Plaza del Arroyo 50 and 51.

Alameda Vieja is a well known Park in the city of Jerez.

The Alcázar de Jerez one of the most emblematic monuments of the city. Located in the southeast corner of the walled enclosure, forming a complex defensive system with the walls, towers and gates. The term alcazar, comes from Arabic, al-qasr and defines a set of buildings, surrounded by walls, which were the seat of political and military power. Fortress-palace with autonomous operation, a small city, seat of power that governed the city and its territory. From the original Islamic fortress, the two doors are preserved; the mosque, the Arab baths; the octagonal tower and the Pavilion of the Doña Blanca patio, located at the foot of this tower.

The long period of time over which it was built caused a variety of styles to be integrated into the structure of this cathedral. It was built as a Collegiate Church, since Jerez did not have a bishopric until 1980. Building began in 1695 and lasted until 1778. Participating architects included Diego Moreno Meléndez, Rodrigo del Pozo, Diego Díaz, Juan de Pina, Torcuato Cayón de la Vega, Juan de Vargas and Pedro Ángel de Albizu. The building has a rectangular plan, with five naves. It is Baroque in style.

In 1264 the troops of Alfonso X conquer Jerez definitively to the Muslims. At that time, the monarch gave the Dominicans a military building of Islamic origin located in front of the door of Seville, to found their convent there. The first century of existence of the monastery of Santo Domingo had to be very hard, since the attacks by the Nasrid Kingdom of Granada and its North African allies were constant. The convent of Santo Domingo remained a united group until 1835, when the different confiscations of the liberal governments of Isabel's reign decreed the exclaustration and seizure of the assets of the convent. Although the church remained open to worship, the cloisters were sold. In the beginning, the owners were Los González, an important family of winemakers from Santander Mountain, who installed here the so-called Museum of Santo Domingo, a kind of trinket in which works of art, furniture and other decorative objects were sold. Then the complex became the property of the Díez family, who installed a cellar in the old bedroom and made a series of somewhat aggressive works with the monument. Los Dietros sold Los Claustros to the Rumasa holding company, which was expropriated in 1983, becoming the property of the City Council, which used it as cultural equipment for years. In 1999 the complex was closed for restoration, reopening its doors in 2012.

The Pinacoteca de Bodegas Tradición is made up of a selection of works belonging to the Joaquín Rivero Collection of Spanish painting. As of June 2006, a winery warehouse, after a laborious work of conditioning, will permanently house such important works, so that any visitor can enjoy them. The Joaquín Rivero Collection is one of the most important exhibited in Andalusia. Its fundamental characteristic is that it brings together more than 300 works of great masters of Spanish painting in a collection of private art, from the 15th to the 19th centuries. In it are represented all the important artistic movements that have been produced throughout the history of Spanish painting, as well as the authors who by their own significance make up the artistic scene of the moment: Zurbarán, Velázquez, Hiepes, Labrador, Valdés Leal, Goya, Maella, Lucas Velázquez, Madrazo, Lucas Villamil, Carlos de Haes and many other authors that will allow our visitors to walk through the history of Spain through his painting.

The Zoological Park and Botanical Garden of Jerez is one of the oldest in Spain. Its history begins at the beginning of the 50s when in the old Tempul Gardens a small collection of animals without recipients were deposited in the Port of Cádiz. The main promoter of the idea was the then Councilor for Parks and Gardens Mr. Alberto Durán Tejera. Zoological collection of Zoobotanico Jerez contains more than 1,000 animals belonging to about 200 different species from the five continents. Enjoy your day among flamingos, wildcats, giraffes, meerkats and many more!

16th - 18th centuries. The Bishop's Palace is a series of buildings that were joined while being built until the large block was completed in the 18th century that took up the whole of the block. It features the impressive Baroque façade facing the Plaza del Obispo.

Better known as the Cistercian Abbey, it was built in 1878 by Jerónimo Cuervo and restored in 1990. The Church has a beautiful choir and tribune behind the chancel, an example of sacred convent art where the most obvious sign is its simple, bright façade topped by an original 18th Century statue of Santa Ana in terracotta.

Here is a permanent display of a selection from the historic and artistic Municipal Heritage. Paintings, sculptures and graphic works including works by Picasso or Carlos Haes.

The Archaeological Museum of Seville has its origins at the end of the 19th century, when a public collection of antiquities was created, most of it taken from the Roman city Italica.

The Casa de Pilatos is a combination of Italian Renaissance styles and the Spanish Mudejar style. It is considered a prototype Andalusian palace. Construction of the palace began in 1483, at the initiative and desire of Pedro Enríquez de Quiñones (IV Adelantado Mayor of Andalusia) and his second wife, Catherine de Ribera, the founders of the Casa de Alcalá.

The Salvador is a religious temple for Roman Catholic worship under the patronage of Our Lord San Salvador, located in the Plaza del Salvador in Seville and is the largest church in the city, after the Cathedral. Deprived of its parish ranking after the latest restoration work, it currently functions as an exempt church, within the parish jurisdiction of San Isidro.

The Kasbah of the Udayas and its Andalusian garden, the Chellah necropolis, the green belt, the Ibn Sina forest and the test gardens are perfect expressions of this spirit. Plus there is the Rabat zoo, where animals live in faithful recreations of their natural habitats.

Udayas Beach serves up a beautiful setting: the fort perches high above the ocean on a rock and towers over the sandy expanse below.

The Cathedral of Granada is to be understood in the context of the project for an imperial city envisaged by Emperor Charles V.

The creation of the Mariana Pineda European Centre for Women fulfils a threefold objective: honouring the memory of this famous woman with a great deal of popular support who symbolises the Constitutionalist Liberal cause in the 19th century; housing the offices of the Municipal Council for Women, which women's groups and associations have been demanding for some time, and opening up the space to the women of Granada, as a meeting point, a place of learning, a discussion forum and for projects that involve women from various countries to create a framework aimed at achieving gender equality.

The Caliph Abd al-Rahman III was a great promoter of culture and a skilful politician who transformed his dominions into the most prosperous lands in the West at the time, comparable only with Baghdad and Byzantium. The city of Medina Azahara has a practically rectangular floor plan. It was built on raked terraces which made use of the slope of the mountainside. Each terrace was separated from the others by walls, which divided the city into three parts. The Alcázar Real palace is located on the highest and intermediate levels, while the lower part stood outside the walls and was used for dwellings and the mosque. There are still remnants of tiled borders, paintings and columns in the composite and Corinthian styles. Visitors should not miss a visit to the two recently restored rooms. It was declared a National Monument in 1923. To conclude the visit, the archaeological site also has a visitor centre which serves as a starting point for the tour. The centre is located underground in the style of an archaeological site, and features a collection of exhibits from the most important periods in the history of Medina Azahara. The tour of the visitor centre lasts about one hour and includes audiovisual shows, and continues with a visit to the archaeological site (which can be reached by bus from the same building).

This building was the royal residence of the Christian monarchs and subsequently the site of the Courts of the Holy Offices, a civil prison, and finally a military prison. It is set among magnificent gardens, including the garden known as the Avenue of the Monarchs which features statues of all the monarchs who had connections with the palace-fortress. It was declared a Historical Monument in 1931. The building is also part of the area declared a World Heritage site by UNESCO in 1994. Since 1986, its gardens have been protected by town planning laws. It stands on top of the remains of the former caliph's palace.

It was built by Henry II of Trastámara as a means of defence against his brother Peter I (Peter the Cruel). It lies on what was once an Arabian castle. It has a Latin cross plan with three arms formed by square towers joined by quarter cylinders and finished off with crenellations. It comprises of 8 rooms and houses the three cultures museum. It lies next to the Roman bridge and has been the site of many a battle. It houses the Museo Vivo de Al-Andalus (Al-Andalus Living Museum), by the Paradigma Cordoba Foundation.

This bridge connecting the city with Calahorra Tower is believed to have been built in the era of Augustus. In 918 it underwent major changes. It played an important role in the city's battles against the armies of Peter I, the Cruel. It has 16 arches supported by robust spurs with semi cylindrical buttresses. It is built in Flemish bond. In the centre there is a sculpture of San Rafael from 1651.

The Great Mosque of Cordoba is a mixture of architectural styles superimposed on one another over the nine centuries its construction and renovations lasted. Standing in the historic centre, it is one of the most beautiful examples of Muslim art in Spain. It was built in 785 by the Muslim emir Abdurrahman I, on the site of the ancient Visigoth church of San Vicente. The mosque underwent consecutive extensions over later centuries. Abdurrahman III had a new minaret built whilst in 961 Al-Hakam II extended the ground plan and decorated the "mihrab" (prayer niche). The last renovation was carried out by Al-Mansur in 987. As a result, the interior resembles a labyrinth of beautiful columns with double arcades and horseshoe arches. After the Christian conquest in 1523, the cathedral was built inside, and features highlights such as the main altarpiece, the Baroque altarpiece and the mahogany choir stalls. The "mihrab" is considered one of the most important in the Muslim world, and is the finest piece in the mosque. The decoration is Byzantine mosaic with crafted marble. The courtyard of the Orange Trees leads to the complex.

It is rectangular and follows the model of the traditional Castilian Plaza Mayor square. It is the only one in Andalusia with these characteristics. During the reconstruction works, magnificent Roman mosaics were found. These can be seen in the Alcázar de los Reyes Cristianos Fortress.

This palace museum has an extensive collection of items from Cordoba including furniture and coffered objects. Of particular note is the staircase which gives access to the upper floor. This stately mansion was originally a single building that was extended with the adjoining buildings, and today occupies a large area with a predominance of courtyards and gardens.

The strangest sight of Faro, which is hidden away from the main tourist route, is the Capela Dos Ossos, the bone chapel. The bones of the overcrowded cemeteries were stored in the small chapel that is located within the Carmo church complex. These bones were incorporated into the designs of the chapel, with skulls lining the walls – very strange and creepy.

The pink Estoi Palace is the finest example of Rococo architecture found within the Algarve, while the carefully maintained grounds contain beautiful Azulejos tiles.

The eastern edge of the Praia de Faro, easily accessible from Faro but far enough away from the summer time crowds.

This huge beach, 1,900 meters long, occupies the entire coastline of the city of Aguadulce, from the marina to La Ventilla beach. Due to the quality of the water, the sand and the services that this beach has, it is accredited with the Blue Flag and Q for tourist quality. As it is located on the coast of the center of Aguadulce, it is one of the beaches with the highest bathing density in western Almería, in the summer. Parallel to its route, the city's seafront stretches, offering a wide variety of tourist offerings with restaurants, entertainment, drinks, ice cream, souvenir shops and beach items, etc.

Garrofa beach is the last on the westward coast of the city of Almeria. It is a cove of just over 100 metres long pebbled with normally clear water. It is located between cliffs and next to the camping of the same name, through which one must pass to access the beach. This beach has a diving club and own camping facilities that are prepared for both tents and caravans.

This is the original centre of the city. Abderramán III, Almería founded in 955 (10th century), by constructing a wall around the heart of the town, building a fortress to defend the city, and provide a mosque for prayer. It extended from the Avenue of the Sea to Queen Street. The route crossed diagonally from the main gateway (at the beginning of Queen Street ) to Sortida or Socorro (at Socorro Street), passing through Pechina or Real de la Almedina street, which were within the preserved route of Caliphate medina. This area can be best described as streets and alleys, where there were no free spaces for squares nor little squares. The squares are found around the Great Mosque, whereas the shopping district was formed for alhóndigas, souks and bazaars. Within here the Alcaicería (luxury shopping district) stood. The shipyard, located in the area of the current Atarazanas street, occupied an important space at the south-eastern tip of the medina. There were many neighbourhoods around this area, each with its small mosque, as in the case of existing in the current Hermitage of San Antón.

The Alcazaba, with its 1430 m. walled perimeter is Spain’s second-largest Muslim construction, after the Alhambra Palace in Granada. It was built at the behest of Abderrahman III in the tenth century after the founding of the city. It is a stronghold which housed three campuses; the first two Muslims and one Christian, last built after the conquest of the city by the Catholic Monarchs, which occurred in 1489. The fortress is situated on a hill, overlooking the old centre of the city, the medina. In it, we find a first enclosure where there is a large garden and ponds constructed during the Muslim period. The second area, the vast palatial residence of King Almotacín, stood during the eleventh century. This consisted of a public area, where today are the caliphate wells of the tenth century, a Christian arch of the 16th century. Finally, is the last enclosure of the fortress, Christian, and ordered to be built by the Catholic Monarchs, after the taking of the city. It is a Christian castle within the Muslim fortification.

The Andalusian Center of Photography, belonging to the Ministry of Culture of the Government of Andalusia, was established in 1992 to be the custodian of the photographic collections of the Imagine project and at the same time, to continue the work of promoting and disseminating photography both nationally and internationally. The Centro Andaluz de la Fotografía proposes a permanent institutional offer to treat photography from an interdisciplinary perspective where they have room for treatment and study of the image from different approaches. In October 2007 the new headquarters of the Andalusian Center of Photography in the old Liceo de Almeria, located in the historic center of the city was inaugurated. This building has been renovated and adapted to the needs of a photographic centre of the XXI century, which includes a large exhibition area of six hundred square meters, classrooms for workshops, living scanning, photographic set, library, screening room, archive, store and administrative offices.